When you're a film-maker, sometimes you have to be a slave to continuity. — Thelma Schoonmaker Copy Share Image
Film, if properly cared for, will last almost 100 years, but digital will not. — Thelma Schoonmaker Copy Share Image
I don't think you can be a great director without knowing a lot about editing. — Thelma Schoonmaker Copy Share Image
That's the great thing about filmmaking: Things happen you don't know are going to happen at the end. — Thelma Schoonmaker Copy Share Image
Everybody would like us to make 'Goodfellas' over and over and over again. — Thelma Schoonmaker Copy Share Image
[Martin] Scorsese says one of the great things he loves about it is how Mark can't get the right shot and he's… — Thelma Schoonmaker Copy Share Image
Scorsese has very defined ideas about how to shoot a scene, and he's an editor himself - we cut together. It means… — Thelma Schoonmaker Copy Share Image
I particularly remember with 'Casino,' everyone was like, 'It's not 'Goodfellas!'' No, it's not 'Goodfellas.' That's right: it's a different movie. Now,… — Thelma Schoonmaker Copy Share Image
I know a lot of editors who are very bitter about the directors they work with. They feel they could have done… — Thelma Schoonmaker Copy Share Image
When you're in a movie with an audience, you can feel where a film is dragging. People start to move. They fidget.… — Thelma Schoonmaker Copy Share Image
I hope films will be somehow preserved and seen by as many people as possible in the future. There are endless treasures… — Thelma Schoonmaker Copy Share Image
Even in 'The Red Shoes,' a film that nobody ever has complaints about, there are enormous continuity bumps, and it doesn't matter.… — Thelma Schoonmaker Copy Share Image
I won the Oscar for 'Raging Bull' for those fight sequences. If you look at those fight sequences, those were so incredibly… — Thelma Schoonmaker Copy Share Image
Emeric [Pressburger] was completely cosmopolitan. That's what makes their [with Michael Powell] films so special. Neither of them thought twice about making… — Thelma Schoonmaker Copy Share Image
I have a great relationship and the highest respect for Daniel Day-Lewis and Leonardo DiCaprio. But working with De Niro has been… — Thelma Schoonmaker Copy Share Image
There's a great deal of mystery in film editing, and that's because you're not supposed to see a lot of it. You're… — Thelma Schoonmaker Copy Share Image
I remember, at the Oscars in 1991, 'Dances with Wolves' won that year, and we were nominated for 'Goodfellas.' One of my… — Thelma Schoonmaker Copy Share Image
I'd trained to be a diplomat but the state department said I was too liberal. I saw an ad in the New… — Thelma Schoonmaker Copy Share Image
The difference between a film that ends up three hours and a film that is envisioned as three hours is that it's… — Thelma Schoonmaker Copy Share Image
There are more women editors than people realise. I think we're more able to keep our eye on what the film needs.… — Thelma Schoonmaker Copy Share Image
I always thought that's the wonderful thing about filmmaking: people see things differently. — Thelma Schoonmaker Copy Share Image
It's wonderful to work on footage by someone who understands how to get it to cut right, which a lot of directors… — Thelma Schoonmaker Copy Share Image
I can access footage much quicker, yes. But in terms of living with a film and knowing what's right, digital doesn't do… — Thelma Schoonmaker Copy Share Image
Like a lady who has lost weight and she's just getting to that point where she can fit into that favourite dress,… — Thelma Schoonmaker Copy Share Image
I think everyone loves 'The Departed.' That was a movie that had a lot of problems structurally. And we had to battle… — Thelma Schoonmaker Copy Share Image
'Raging Bull' was staggering to work on. I was well aware of how lucky I was to be in this extraordinary situation.… — Thelma Schoonmaker Copy Share Image
If forced to choose my favourite film, I would have to say 'Raging Bull' because it was the first feature film I… — Thelma Schoonmaker Copy Share Image
'Raging Bull' was just a dream to work on, but it took a lot of work to get all those fights to work right… — Thelma Schoonmaker Copy Share Image
Film, if properly cared for, will last almost 100 years, but digital will not. — Thelma Schoonmaker Copy Share Image
My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones. — Thelma Schoonmaker Copy Share Image
People expect artists to be too normal, I think. I've been around enough of them now to see that they're very extraordinary human beings… — Thelma Schoonmaker Copy Share Image
Throwing things out is one of the most difficult and important things you ever have to do. — Thelma Schoonmaker Copy Share Image
That's the great thing about filmmaking: Things happen you don't know are going to happen at the end. — Thelma Schoonmaker Copy Share Image
One day, I read an extremely vague ad looking for someone interested in working in film. Seeing as I loved watching films, I replied,… — Thelma Schoonmaker Copy Share Image
Even though my parents are American, I spent my whole childhood and adolescence abroad. — Thelma Schoonmaker Copy Share Image
When you're in a movie with an audience, you can feel where a film is dragging. People start to move. They fidget. You need… — Thelma Schoonmaker Copy Share Image
In the very beginning, women were editors because they were the people in the lab rolling the film before there was editing. Then when… — Thelma Schoonmaker Copy Share Image
Michael's Powell art director was a painter and they had a wonderful friendship and artistic understanding. Michael himself, in the way he designed his… — Thelma Schoonmaker Copy Share Image