When you're in a movie with an audience, you can feel where a film is dragging. People start to move. They fidget.… — Thelma Schoonmaker Copy Share Image
I particularly remember with 'Casino,' everyone was like, 'It's not 'Goodfellas!'' No, it's not 'Goodfellas.' That's right: it's a different movie. Now,… — Thelma Schoonmaker Copy Share Image
The studios are nervous on every movie. It never ends, because Marty's movies are so unusual. He doesn't repeat himself, so they… — Thelma Schoonmaker Copy Share Image
I think everyone loves 'The Departed.' That was a movie that had a lot of problems structurally. And we had to battle… — Thelma Schoonmaker Copy Share Image
One of our big tools is screening. We screen usually 12 times, which is much more than most filmmakers do, and we… — Thelma Schoonmaker Copy Share Image
'Raging Bull' was just a dream to work on, but it took a lot of work to get all those fights to work right… — Thelma Schoonmaker Copy Share Image
Film, if properly cared for, will last almost 100 years, but digital will not. — Thelma Schoonmaker Copy Share Image
My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones. — Thelma Schoonmaker Copy Share Image
People expect artists to be too normal, I think. I've been around enough of them now to see that they're very extraordinary human beings… — Thelma Schoonmaker Copy Share Image
Throwing things out is one of the most difficult and important things you ever have to do. — Thelma Schoonmaker Copy Share Image
That's the great thing about filmmaking: Things happen you don't know are going to happen at the end. — Thelma Schoonmaker Copy Share Image
One day, I read an extremely vague ad looking for someone interested in working in film. Seeing as I loved watching films, I replied,… — Thelma Schoonmaker Copy Share Image
Even though my parents are American, I spent my whole childhood and adolescence abroad. — Thelma Schoonmaker Copy Share Image
When you're in a movie with an audience, you can feel where a film is dragging. People start to move. They fidget. You need… — Thelma Schoonmaker Copy Share Image
In the very beginning, women were editors because they were the people in the lab rolling the film before there was editing. Then when… — Thelma Schoonmaker Copy Share Image
Michael's Powell art director was a painter and they had a wonderful friendship and artistic understanding. Michael himself, in the way he designed his… — Thelma Schoonmaker Copy Share Image
I love improvisation. I mean, it's hard to edit, because things don't necessarily fall together - you have to find ways to give it… — Thelma Schoonmaker Copy Share Image
Even in 'The Red Shoes,' a film that nobody ever has complaints about, there are enormous continuity bumps, and it doesn't matter. You know… — Thelma Schoonmaker Copy Share Image
