My dream was to draw for 'The Beano.' When I was 10 years old, I started drawing cartoon strips with 'The Beano' in mind. I lived in that world. You own a comic, it's yours and adults don't understand it.… — Nick Park Copy Share Image
It's very hard to adapt something. You end up changing it too much to make a good movie out of it. I prefer to work with things that are custom made for my kind of animation. — Nick Park Copy Share Image
When we first sold the Wallace and Gromit shorts to America, people suggested we get rid of the strange British accents and put clear… — Nick Park Copy Share Image
I love doing features, but it's a very different ballgame. Sometimes I yearn for short films again, working with a small team, getting my… — Nick Park Copy Share Image
There is no worse situation to be in than Oscar night. Not knowing whether you've won is completely draining. — Nick Park Copy Share Image
I have to admit to not being the greatest technician, but stop motion animation gives me licence to create machines that wouldn't otherwise be… — Nick Park Copy Share Image
Gromit was the name of a cat. When I started modeling the cat I just didn't feel it was quite right, so I made… — Nick Park Copy Share Image
I always considered Ray Harryhausen's work so fine that it was way out of my league: in terms of realism and naturalism, in terms… — Nick Park Copy Share Image
There is something about the Australian psyche that seems to like films that are slightly offbeat. — Nick Park Copy Share Image
We can do things that we never could before. Stop-motion lets you build tiny little worlds, and computers make that world even more believable. — Nick Park Copy Share Image
Wallace and Gromit's contraptions are created purely for gags, but we all have the urge to invent - especially children. If they're bored, kids… — Nick Park Copy Share Image
I think we all have a Wallace and Gromit inside us. Wallace is the part that has wild plans. Gromit is the sensible side,… — Nick Park Copy Share Image
