Type is saying things to us all the time. Typefaces express a mood, an atmosphere. They give words a certain coloring. — Rick Poynor Copy Share Image
How can there be too many typefaces in the world? Are there too many songs, too many books, too many places to… — Rian Hughes Copy Share Image
I believe sans serif typefaces - today upheld as models of neutrality and legibility - were called "Grotesques" in the 19th century… — Michael Bierut Copy Share Image
Someday I'll design a typeface without a K in it, and then let's see the bastards misspell my name. — Frederic Goudy Copy Share Image
In the new computer age, the proliferation of typefaces and type manipulations represents a new level of visual pollution threatening our culture.… — Massimo Vignelli Copy Share Image
At first, writing for The New Yorker was very scary to me. I couldn't imagine anything that I would write in that… — David Sedaris Copy Share Image
I hate to see great works of literature ghettoized, whereas others that conform to the rules, conventions, and procedures of the genre… — Michael Chabon Copy Share Image
I'm not an expert in typefaces that serve scientific writing, but I'd guess that's another dozen or two. — Michael Bierut Copy Share Image
The seventies were my fattest decade. Overall I think the seventies were distinctly bulbous. People looked chunky, typefaces were rounded, writing implements… — Will Self Copy Share Image
The most popular typefaces are the easiest to read; their popularity has made them disappear from conscious cognition. It becomes impossible to… — Zuzana Licko Copy Share Image
The meaning is in the content of the text and not in the typeface, and that is why we loved Helvetica very… — Wim Crouwel Copy Share Image
When a type design is good it is not because each individual letter of the alphabet is perfect in form, but because… — Frederic Goudy Copy Share Image
I grew up in a Cleveland suburb called Parma, Ohio. Somewhere along the way I fell in love with a typeface called… — Michael Bierut Copy Share Image
