I gave up on the idea of making art a long time ago, because I wanted to know how to make paintings;… — Kerry James Marshall Copy Share Image
Every step on my way to becoming an artist seemed preordained. The right people were always in the right places at the… — Kerry James Marshall Copy Share Image
I stumbled upon Charles White purely by chance while looking through a book 'Great Negroes, Past and Present' in the library at… — Kerry James Marshall Copy Share Image
If I go to the museum and see white bodies, black bodies, Asian bodies, Latino bodies, then I will expect to see… — Kerry James Marshall Copy Share Image
In Western Catholicism, darkness was evil. In the colonial and imperial context, dark skin was always weak, powerless, subjugated. If you see… — Kerry James Marshall Copy Share Image
To me, if there is any sort of value added to the accumulation of knowledge over time, then the work of artists… — Kerry James Marshall Copy Share Image
For black people who are really dark - and a lot of black people were averse to be dark skinned - it… — Kerry James Marshall Copy Share Image
Working from live models is too much trouble; it takes too much time. — Kerry James Marshall Copy Share Image
The moment you introduce difference into a museum, then the privileged space is contested, and under the most ideal circumstances what all… — Kerry James Marshall Copy Share Image
If you're constantly being reminded of the ways in which your history and your narrative as a people were rooted in loss… — Kerry James Marshall Copy Share Image
There's nothing more special than intellect and labour that makes painting work. There's no magic there; it's information, and it's work. — Kerry James Marshall Copy Share Image
When art works travel from place to place, what you have is the opportunity to engage with the intellect of another person who has… — Kerry James Marshall Copy Share Image
I stumbled upon Charles White purely by chance while looking through a book 'Great Negroes, Past and Present' in the library at Forty-Ninth Street… — Kerry James Marshall Copy Share Image
The lighter the skin, the more acceptable you are. The darker the skin, the more marginalised you become. I want to demonstrate that you… — Kerry James Marshall Copy Share Image
Artwork operates on two different levels: On one level there's artwork as a mode of expressivity, and then there's the other side, where the… — Kerry James Marshall Copy Share Image
One of the things I recognized early on, doing whatever studies of black history I have, is that even though black folks were transported… — Kerry James Marshall Copy Share Image
If you walk into any magazine store, I guarantee that nine out of 10 covers will feature white, blonde, blue-eyed, slim women because that's… — Kerry James Marshall Copy Share Image
For black people who are really dark - and a lot of black people were averse to be dark skinned - it was believed… — Kerry James Marshall Copy Share Image
Before people outside of the Western European tradition started asking to be in there, the people who were accumulating objects for the museum were… — Kerry James Marshall Copy Share Image
What I hope 'Mastry' ends up doing is completely undermining or doing away with the notion that artists are a savant: that they do… — Kerry James Marshall Copy Share Image
My dream was always to be in museums. It's a big and important milestone and a fulfillment of one of my primary ambitions. — Kerry James Marshall Copy Share Image
