For black people who are really dark - and a lot of black people were averse to be dark skinned - it… — Kerry James Marshall Copy Share Image
When I started, I was aware of using the black as a rhetorical device. It's understanding that black people come in a… — Kerry James Marshall Copy Share Image
For black people, everything we do has to be ratified and endorsed by a power structure that is white. And that reinforces… — Kerry James Marshall Copy Share Image
You don't see black people winning Nobel prizes for physics or economics or any of the industries or institutions that shape the… — Kerry James Marshall Copy Share Image
Part of the history of black people in the western hemisphere, in some ways, has been fleeing from this notion that they… — Kerry James Marshall Copy Share Image
Blackness has always been stigmatised, even amongst black people who flee from the density of that blackness. Some black people recoil from… — Kerry James Marshall Copy Share Image
Part of what I am dealing with, with this blackness, is asking the question, "Where are those black people, who are as… — Kerry James Marshall Copy Share Image
When I started, I was aware of using the black as a rhetorical device. It's understanding that black people come in a… — Kerry James Marshall Copy Share Image
What I preserved in the figures [at Invisible Man] are those white eyes and white teeth, because that's still connected to the… — Kerry James Marshall Copy Share Image
One of the reasons I paint black people is because I am a black person. — Kerry James Marshall Copy Share Image
The condition of visibility as it relates to black people was crucial. Connected to that, I've always been interested in science fiction… — Kerry James Marshall Copy Share Image
For black people in the western hemisphere, if you can't generate a mythology that creates models of heroism and power out of… — Kerry James Marshall Copy Share Image
There's nothing more special than intellect and labour that makes painting work. There's no magic there; it's information, and it's work. — Kerry James Marshall Copy Share Image
When art works travel from place to place, what you have is the opportunity to engage with the intellect of another person who has… — Kerry James Marshall Copy Share Image
I stumbled upon Charles White purely by chance while looking through a book 'Great Negroes, Past and Present' in the library at Forty-Ninth Street… — Kerry James Marshall Copy Share Image
The lighter the skin, the more acceptable you are. The darker the skin, the more marginalised you become. I want to demonstrate that you… — Kerry James Marshall Copy Share Image
Artwork operates on two different levels: On one level there's artwork as a mode of expressivity, and then there's the other side, where the… — Kerry James Marshall Copy Share Image
One of the things I recognized early on, doing whatever studies of black history I have, is that even though black folks were transported… — Kerry James Marshall Copy Share Image
If you walk into any magazine store, I guarantee that nine out of 10 covers will feature white, blonde, blue-eyed, slim women because that's… — Kerry James Marshall Copy Share Image
For black people who are really dark - and a lot of black people were averse to be dark skinned - it was believed… — Kerry James Marshall Copy Share Image
Before people outside of the Western European tradition started asking to be in there, the people who were accumulating objects for the museum were… — Kerry James Marshall Copy Share Image
What I hope 'Mastry' ends up doing is completely undermining or doing away with the notion that artists are a savant: that they do… — Kerry James Marshall Copy Share Image
My dream was always to be in museums. It's a big and important milestone and a fulfillment of one of my primary ambitions. — Kerry James Marshall Copy Share Image
![“What I preserved in the figures [at Invisible Man] are…” quote by Kerry James Marshall](https://sms4smile.com/quotes/img-quotes/19a/kerry-james-marshall-5157_black_what-i-preserved-in-the-figures-at-invis_2863321.jpg)
