The lighter the skin, the more acceptable you are. The darker the skin, the more marginalised you become. I want to demonstrate… — Kerry James Marshall Copy Share Image
If you walk into any magazine store, I guarantee that nine out of 10 covers will feature white, blonde, blue-eyed, slim women… — Kerry James Marshall Copy Share Image
Part of the history of black people in the western hemisphere, in some ways, has been fleeing from this notion that they… — Kerry James Marshall Copy Share Image
At a certain point, you have to decide whether you'd be satisfied always acknowledging the beauty and the greatness of what other… — Kerry James Marshall Copy Share Image
When you go to an art museum, the thing you're least likely to encounter is a picture of a black person. When… — Kerry James Marshall Copy Share Image
I came in making choices about how I deploy aesthetics and imagery strategically. It seems to me that's the only legitimate way… — Kerry James Marshall Copy Share Image
There's a beauty shop companion called School of Beauty, School of Culture at the Birmingham Museum of Art. I got an email… — Kerry James Marshall Copy Share Image
Just like in the art museum, and notions of beauty and pleasure, if the hero is always a white guy with a… — Kerry James Marshall Copy Share Image
There's nothing more special than intellect and labour that makes painting work. There's no magic there; it's information, and it's work. — Kerry James Marshall Copy Share Image
When art works travel from place to place, what you have is the opportunity to engage with the intellect of another person who has… — Kerry James Marshall Copy Share Image
I stumbled upon Charles White purely by chance while looking through a book 'Great Negroes, Past and Present' in the library at Forty-Ninth Street… — Kerry James Marshall Copy Share Image
The lighter the skin, the more acceptable you are. The darker the skin, the more marginalised you become. I want to demonstrate that you… — Kerry James Marshall Copy Share Image
Artwork operates on two different levels: On one level there's artwork as a mode of expressivity, and then there's the other side, where the… — Kerry James Marshall Copy Share Image
One of the things I recognized early on, doing whatever studies of black history I have, is that even though black folks were transported… — Kerry James Marshall Copy Share Image
If you walk into any magazine store, I guarantee that nine out of 10 covers will feature white, blonde, blue-eyed, slim women because that's… — Kerry James Marshall Copy Share Image
For black people who are really dark - and a lot of black people were averse to be dark skinned - it was believed… — Kerry James Marshall Copy Share Image
Before people outside of the Western European tradition started asking to be in there, the people who were accumulating objects for the museum were… — Kerry James Marshall Copy Share Image
What I hope 'Mastry' ends up doing is completely undermining or doing away with the notion that artists are a savant: that they do… — Kerry James Marshall Copy Share Image
My dream was always to be in museums. It's a big and important milestone and a fulfillment of one of my primary ambitions. — Kerry James Marshall Copy Share Image
