If you think about the way we experience art, the paradigm is still Western European. If I go to the National Gallery,… — Kerry James Marshall Copy Share Image
If you look at the image [ Portrait of the Artist as a Shadow of His Former Self ], it treads on… — Kerry James Marshall Copy Share Image
There's this idea that many of the attitudes and personality developments in black folks in the diaspora are a consequence of this… — Kerry James Marshall Copy Share Image
When State Way Gardens and The Robert Taylor Homes were being torn down, it seemed like a perfect opportunity to use that… — Kerry James Marshall Copy Share Image
You don't see black people winning Nobel prizes for physics or economics or any of the industries or institutions that shape the… — Kerry James Marshall Copy Share Image
As a black person, I'm used to going to places in which I might be the only black person that shows up… — Kerry James Marshall Copy Share Image
Part of the history of black people in the western hemisphere, in some ways, has been fleeing from this notion that they… — Kerry James Marshall Copy Share Image
Sometimes when I can't communicate that I'm frustrated, I'll just grab my guitar and I can play out that emotion and be… — Kerry James Marshall Copy Share Image
I came in making choices about how I deploy aesthetics and imagery strategically. It seems to me that's the only legitimate way… — Kerry James Marshall Copy Share Image
[My picture A Portrait of the Artist as a Shadow of His Former Self ] was a way of demonstrating that there… — Kerry James Marshall Copy Share Image
What I preserved in the figures [at Invisible Man] are those white eyes and white teeth, because that's still connected to the… — Kerry James Marshall Copy Share Image
I used to always say - and I think a lot of artists think of it this way - that when you… — Kerry James Marshall Copy Share Image
If you're constantly being reminded of the ways in which your history and your narrative as a people were rooted in loss… — Kerry James Marshall Copy Share Image
There's nothing more special than intellect and labour that makes painting work. There's no magic there; it's information, and it's work. — Kerry James Marshall Copy Share Image
When art works travel from place to place, what you have is the opportunity to engage with the intellect of another person who has… — Kerry James Marshall Copy Share Image
I stumbled upon Charles White purely by chance while looking through a book 'Great Negroes, Past and Present' in the library at Forty-Ninth Street… — Kerry James Marshall Copy Share Image
The lighter the skin, the more acceptable you are. The darker the skin, the more marginalised you become. I want to demonstrate that you… — Kerry James Marshall Copy Share Image
Artwork operates on two different levels: On one level there's artwork as a mode of expressivity, and then there's the other side, where the… — Kerry James Marshall Copy Share Image
One of the things I recognized early on, doing whatever studies of black history I have, is that even though black folks were transported… — Kerry James Marshall Copy Share Image
If you walk into any magazine store, I guarantee that nine out of 10 covers will feature white, blonde, blue-eyed, slim women because that's… — Kerry James Marshall Copy Share Image
For black people who are really dark - and a lot of black people were averse to be dark skinned - it was believed… — Kerry James Marshall Copy Share Image
Before people outside of the Western European tradition started asking to be in there, the people who were accumulating objects for the museum were… — Kerry James Marshall Copy Share Image
What I hope 'Mastry' ends up doing is completely undermining or doing away with the notion that artists are a savant: that they do… — Kerry James Marshall Copy Share Image
My dream was always to be in museums. It's a big and important milestone and a fulfillment of one of my primary ambitions. — Kerry James Marshall Copy Share Image