People robbed of their past seem to make the most fervent picture takers, at home and abroad. — Susan Sontag Copy Share Image
In photographing dwarfs, you don't get majesty and beauty. You get dwarfs. — Susan Sontag Copy Share Image
“That we are not totally transformed, that we can turn away, turn the page, switch the channel, does not impugn the ethical… — Susan Sontag Copy Share Image
The tradition of portrait painting, to embellish or idealize the subject, remains the aim of everyday and of commercial photography, but it… — Susan Sontag Copy Share Image
Along with people who pretty themselves for the camera, the unattractive and the disaffected have been assigned their beauty. — Susan Sontag Copy Share Image
The two ideas are antithetical. Insofar as photography is (or should be) about the world, the photographer counts for little, but insofar… — Susan Sontag Copy Share Image
As photographs give people an imaginary possession of a past that is unreal, they also help people to take possession of space… — Susan Sontag Copy Share Image
Finally, the most grandiose result of the photographic enterprise is to give us the sense that we can hold the whole world… — Susan Sontag Copy Share Image
A way of certifying experience, taking photographs is also a way of refusing it - by limiting experience to a search for… — Susan Sontag Copy Share Image
To photograph is to appropriate the thing photographed. It means putting oneself into a certain relation to the world that feels like… — Susan Sontag Copy Share Image
Standing alone, photographs promise an understanding they cannot deliver. In the company of words, they take on meaning, but they slough off… — Susan Sontag Copy Share Image
In America, the photographer is not simply the person who records the past, but the one who invents it. — Susan Sontag Copy Share Image
You can go into all sorts of situations with a camera and people will think they should serve it. — Susan Sontag Copy Share Image
“The photographer is now charging real beasts, beleaguered and too rare to kill. Guns have metamorphosed into cameras in this earnest comedy,… — Susan Sontag Copy Share Image
It is a nostalgic time right now, and photographs actively promote nostalgia. Photography is an elegiac art, a twilight art. Most subjects… — Susan Sontag Copy Share Image
The photographer is an armed version of the solitary walker reconnoitering, stalking, cruising the urban inferno, the voyeuristic stroller who discovers the… — Susan Sontag Copy Share Image
The photograph is like a quotation, or a maxim or proverb. Each of us mentally stocks hundreds of photographs, subject to instant… — Susan Sontag Copy Share Image
Needing to have reality confirmed and experience enhanced by photographs is an aesthetic consumerism to which everyone is now addicted. Industrial societies… — Susan Sontag Copy Share Image
Despite the illusion of giving understanding, what seeing through photographs really invites is an acquisitive relation to the world that nourishes aesthetic… — Susan Sontag Copy Share Image
Paintings invariably sum up; photographs usually do not. Photographic images are pieces of evidence in an ongoing biography or history. And one… — Susan Sontag Copy Share Image
A photograph is both a pseudo-presence and a token of absence. Like a wood fire in a room, photographs-especially those of people,… — Susan Sontag Copy Share Image
A photograph passes for incontrovertible proof that a given thing happened. The picture may distort; but there is always a presumption that… — Susan Sontag Copy Share Image
the appetite for thinking must be regulated, as all sensible people know, for it may stifle one's life. — Susan Sontag Copy Share Image
Unfortunately, moral beauty in art - like physical beauty in a person - is extremely perishable. It is nowhere so durable as artistic or… — Susan Sontag Copy Share Image
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a… — Susan Sontag Copy Share Image
Anthropology has always struggled with an intense, fascinated repulsion towards its subject.... [The anthropologist] submits himself to the exotic to confirm his own inner… — Susan Sontag Copy Share Image
“Why not eliminate schooling between age 12-16? It’s biologically + psychologically too turbulent a time to be cooped up inside, made to sit all… — Susan Sontag Copy Share Image
To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never… — Susan Sontag Copy Share Image
One set of messages of the society we live in is: Consume. Grow. Do what you want. Amuse yourselves. The very working of this… — Susan Sontag Copy Share Image
Currently intellectuals in Western Europe and North America are extremely demoralized and shaken by the rise of a virulent conservative tendency (which some have… — Susan Sontag Copy Share Image
With the modern diseases (once TB, now cancer) the romantic idea that the disease expresses the character is invariably extended to assert that the… — Susan Sontag Copy Share Image
As objects of contemplation, images of the atrocious can answer to several different needs. To steel oneself against weakness. To make oneself more numb.… — Susan Sontag Copy Share Image
The creative phase of an idea coincides with the period during which it insists, cantankerously, on its boundaries, on what makes it different; but… — Susan Sontag Copy Share Image
