It seems positively unnatural to travel without taking a camera along... The very activity of taking pictures is soothing and assuages general… — Susan Sontag Copy Share Image
A photograph is not only an image (as a painting is an image), an interpretation of the real; it is also a… — Susan Sontag Copy Share Image
It is not altogether wrong to say that there is no such thing as a bad photograph - only less interesting, less… — Susan Sontag Copy Share Image
Photographs are a way of imprisoning reality...One can't possess reality, one can possess images--one can't possess the present but one can possess… — Susan Sontag Copy Share Image
So successful has been the camera's role in beautifying the world that photographs, rather than the world, have become the standard of… — Susan Sontag Copy Share Image
Needing to have reality confirmed and experience enhanced by photographs is an aesthetic consumerism to which everyone is now addicted. Industrial societies… — Susan Sontag Copy Share Image
Paintings invariably sum up; photographs usually do not. Photographic images are pieces of evidence in an ongoing biography or history. And one… — Susan Sontag Copy Share Image
Photography is an elegiac art, a twilight art. Most subjects photographed are, just by virtue of being photographed, touched with pathos. — Susan Sontag Copy Share Image
Industrial societies turn their citizens into image-junkies; it is the most irresistible form of mental pollution. Poignant longings for beauty, for an… — Susan Sontag Copy Share Image
Cameras began duplicating the world at that moment when the human landscape started to undergo a vertiginous rate of change: while an… — Susan Sontag Copy Share Image
“The photographer is now charging real beasts, beleaguered and too rare to kill. Guns have metamorphosed into cameras in this earnest comedy,… — Susan Sontag Copy Share Image
While a painting, even one that meets photographic standards of resemblance, is never more than the stating of an interpretation, a photograph… — Susan Sontag Copy Share Image
A way of certifying experience, taking photographs is also a way of refusing it - by limiting experience to a search for… — Susan Sontag Copy Share Image
Finally, the most grandiose result of the photographic enterprise is to give us the sense that we can hold the whole world… — Susan Sontag Copy Share Image
Photographed images do not seem to be statements about the world so much as pieces of it, miniatures of reality that anyone… — Susan Sontag Copy Share Image
The camera can be lenient; it is can also expert at being cruel. But its cruelty only produces another kind of beauty,… — Susan Sontag Copy Share Image
To take a photograph is to participate in another person's mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it,… — Susan Sontag Copy Share Image
The photograph is like a quotation, or a maxim or proverb. Each of us mentally stocks hundreds of photographs, subject to instant… — Susan Sontag Copy Share Image
... one of art photography's most vigorous enterprises--[is] concentrating on victims, on the unfortunate--but without the compassionate purpose that such a project… — Susan Sontag Copy Share Image
The destiny of photography has taken it far beyond the role to which it was originally thought to be limited: to give… — Susan Sontag Copy Share Image
“All photographs are memento mori. To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability. Precisely by… — Susan Sontag Copy Share Image
Photographs may be more memorable than moving images, because they are a neat slice of time, not a flow. Each still photograph… — Susan Sontag Copy Share Image
As objects of contemplation, images of the atrocious can answer to several different needs. To steel oneself against weakness. To make oneself… — Susan Sontag Copy Share Image
The photographer's intentions do not determine the meaning of a photograph, which will have its own career, blown by the whims and… — Susan Sontag Copy Share Image
Just as a camera is a sublimation of the gun, to photograph someone is a subliminal murder - a soft murder, appropriate… — Susan Sontag Copy Share Image
Photographs are perhaps the most mysterious of all the objects that make up, and thicken, the environment we recognize as modern. Photographs… — Susan Sontag Copy Share Image
the appetite for thinking must be regulated, as all sensible people know, for it may stifle one's life. — Susan Sontag Copy Share Image
Unfortunately, moral beauty in art - like physical beauty in a person - is extremely perishable. It is nowhere so durable as artistic or… — Susan Sontag Copy Share Image
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a… — Susan Sontag Copy Share Image
Anthropology has always struggled with an intense, fascinated repulsion towards its subject… [The anthropologist] submits himself to the exotic to confirm his own inner… — Susan Sontag Copy Share Image
“Why not eliminate schooling between age 12-16? It’s biologically + psychologically too turbulent a time to be cooped up inside, made to sit all… — Susan Sontag Copy Share Image
To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never… — Susan Sontag Copy Share Image
One set of messages of the society we live in is: Consume. Grow. Do what you want. Amuse yourselves. The very working of this… — Susan Sontag Copy Share Image
Currently intellectuals in Western Europe and North America are extremely demoralized and shaken by the rise of a virulent conservative tendency (which some have… — Susan Sontag Copy Share Image
With the modern diseases (once TB, now cancer) the romantic idea that the disease expresses the character is invariably extended to assert that the… — Susan Sontag Copy Share Image
As objects of contemplation, images of the atrocious can answer to several different needs. To steel oneself against weakness. To make oneself more numb.… — Susan Sontag Copy Share Image
The creative phase of an idea coincides with the period during which it insists, cantankerously, on its boundaries, on what makes it different; but… — Susan Sontag Copy Share Image