“The (i)studium(i) is ultimately always coded, the (i)punctum is not)...” — Roland Barthes Copy Share Image
As Spectator I wanted to explore photography not as a question (a theme) but as a wound. — Roland Barthes Copy Share Image
What the Photograph reproduces to infinity has occurred only once: the Photograph mechanically repeats what could never be repeated existentially. — Roland Barthes Copy Share Image
All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they… — Roland Barthes Copy Share Image
The realists do not take the photograph for a 'copy' of reality, but for an emanation of past reality, a magic, not… — Roland Barthes Copy Share Image
Cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living… — Roland Barthes Copy Share Image
In front of the photograph of my mother as a child, I tell myself: she is going to die: I shudder, like… — Roland Barthes Copy Share Image
“I feel that the Photograph creates my body or mortifies it, according to its caprice (apology of this mortiferous power: certain Communards… — Roland Barthes Copy Share Image
The photograph is literally an emanation of the referent. From a real body, which was there, proceed radiations which ultimately touch me,… — Roland Barthes Copy Share Image
I want a History of Looking. For the Photograph is the advent of myself as other: a cunning dissociation of consciousness from… — Roland Barthes Copy Share Image
The photographer, like an acrobat, must defy the laws of probability or even of possibility; at the limit, he must defy those… — Roland Barthes Copy Share Image
The unary Photograph has every reason to be banal, 'unity' of composition being the first rule of vulgar (and notably, of academic)… — Roland Barthes Copy Share Image
Usually the amateur is defined as an immature state of the artist: someone who cannot — or will not — achieve the… — Roland Barthes Copy Share Image
A paradox: the same century invented history and photography. But history is a memory fabricated according to positive formulas, a pure intellectual… — Roland Barthes Copy Share Image
“A paradox: the same century invented History and PHotography. But History is a memory fabricated according to positive formulas, a pure intellectual… — Roland Barthes Copy Share Image
One of the marks of our world is perhaps this reversal: we live according to a generalized image-repertoire. Consider the United Sates,… — Roland Barthes Copy Share Image
For Death must be somewhere in a society; if it is no longer (or less intensely) in religion, it must be elsewhere;… — Roland Barthes Copy Share Image
“Hence the detail which interests me is not, or at least is not strictly intentional, and probably must not be so; it… — Roland Barthes Copy Share Image
“[Photography] allows me to accede to an infra-knowledge; it supplies me with a collection of partial objects and can flatter a certain… — Roland Barthes Copy Share Image
The Photograph belongs to that class of laminated objects whose two leaves cannot be separated without destroying them both: the windowpane and… — Roland Barthes Copy Share Image
“In 1850, August Salzmann photographed, near Jerusalem, the road to Beith-Lehem (as it was spelled at the time): nothing but stony ground,… — Roland Barthes Copy Share Image
One day, quite some time ago, I happened on a photograph of Napoleon’s youngest brother, Jerome, taken in 1852. And I realized… — Roland Barthes Copy Share Image
“We know the original relation of the theater and the cult of the Dead: the first actors separated themselves from the community… — Roland Barthes Copy Share Image
“Another unary photograph is the pornographic photograph (I am not saying the erotic photograph: the erotic is a pornographic that has been… — Roland Barthes Copy Share Image
The Photograph is violent: not because it shows violent tings, but because on each occasion (i)it fills the sight by force(i), and… — Roland Barthes Copy Share Image
“It is by studium that I am interested in so many photographs, whether I receive them as political testimony or enjoy them… — Roland Barthes Copy Share Image
“What pricks me is the discovery of this equivalence. In front of the photograph of my mother as a child, I tell… — Roland Barthes Copy Share Image
Ultimately — or at the limit — in order to see a photograph well, it is best to look away or close… — Roland Barthes Copy Share Image
Each photograph is read as the private appearance of its referent: the age of Photography corresponds precisely to the explosion of the… — Roland Barthes Copy Share Image
When we define the Photograph as a motionless image, this does not mean only that the figures it represents do not move;… — Roland Barthes Copy Share Image
The Photograph is an extended, loaded evidence — as if it caricatured not the figure of what it represents (quite the converse)… — Roland Barthes Copy Share Image
The Winter Photograph was my Ariadne, not because it would help me discover a secret thing (monster or treasure), but because it… — Roland Barthes Copy Share Image
For the photograph's immobility is somehow the result of a perverse confusion between two concepts: the Real and the Live: by attesting… — Roland Barthes Copy Share Image
“...The editors of (i)Life(i) rejected Kerész'a photographs when he arrived in the United States in 1937 because, they said, his images 'spoke… — Roland Barthes Copy Share Image
“I imagine that the essential gesture of the Operator is to surprise something or someone (through the little hole in the camera),… — Roland Barthes Copy Share Image
It is as if the Photograph always carries its referent with itself, both affected by the same amorous or funereal immobility, at… — Roland Barthes Copy Share Image
“Werther identifies himself with the madman, with the footman. As a reader, I can identify myself with Werther. Historically, thousands of subjects have done… — Roland Barthes Copy Share Image
“Valéry used to speak of those people who die in an accident because they are unwilling to let go of their umbrellas; how many… — Roland Barthes Copy Share Image
Today there is no symbolic compensation for old age, no recognition of a specific value: wisdom, perceptiveness, experience, vision. — Roland Barthes Copy Share Image
The unary Photograph has every reason to be banal, 'unity' of composition being the first rule of vulgar (and notably, of academic) rhetoric: 'The… — Roland Barthes Copy Share Image
“Man does not exist prior to language, either as a species or as an individual. We never encounter a state where man is separated… — Roland Barthes Copy Share Image
“It is said that Time soothes mourning – No, Time makes nothing happen; it merely makes the emotivity of mourning pass.” — Roland Barthes Copy Share Image
“So long as I perceive the world as hostile, I remain linked to it: *I am not crazy*. But sometimes, once my bad temper… — Roland Barthes Copy Share Image
I think that cars today are almost the exact equivalent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived… — Roland Barthes Copy Share Image
“(Sartre) (The world is full without me, as in Nausea; the world plays at living behind a glass partition; the world is in an… — Roland Barthes Copy Share Image
“Like love, mourning affects the world—and the worldly—with unreality, with importunity. I resist the world, I suffer from what it demands of me, from… — Roland Barthes Copy Share Image
![“[Photography] allows me to accede to an infra-knowledge; it supplies me with a collection of partial objects and can flatter a certain fetishism of mine: for this 'me' which like knowledge, which nourishes a kind of amorous preference for it. In the same way, I like certain biographical features…” quote by Roland Barthes](https://sms4smile.com/quotes/img-quotes/9f1/roland-barthes-1062_amorous_photography-allows-me-to-accede-to-an-in_1427383.jpg)
