Photography, alone of the arts, seems perfected to serve the desire humans have for a moment - this very moment - to… — Sam Abell Copy Share Image
I did it once, and National Geographic recruited me. I did it primarily out of curiosity. A lot of legendary photographers had… — Sam Abell Copy Share Image
I can't speak for other photographers, but the photographers who went forward strongly when the so-called "official" part of their career ended,… — Sam Abell Copy Share Image
A mad, keen photographer needs to get out into the world and work and make mistakes. — Sam Abell Copy Share Image
Life rarely presents fully finished photographs. An image evolves, often from a single strand of visual interest - a distant horizon, a… — Sam Abell Copy Share Image
Photographs that transcend but do not deny their literal situation appeal to me. — Sam Abell Copy Share Image
I wanted life to be episodic. I wanted to be a magazine photographer and I was willing to do what it took… — Sam Abell Copy Share Image
The class that I teach is called "The Life of a Photograph." It takes up the question, of the billion photographs that… — Sam Abell Copy Share Image
In the last workshop I taught, a woman flew in from Thailand. She's a medical doctor in Bangkok. I asked her in… — Sam Abell Copy Share Image
When assignments were over, photography continued. One of the primary reasons it did was that I wanted and needed to have fresh… — Sam Abell Copy Share Image
How the visual world appears is important to me. I'm always aware of the light. I'm always aware of what I would… — Sam Abell Copy Share Image
We know that photographs inform people. We also know that photographs move people. The photograph that does both is the one we… — Sam Abell Copy Share Image
This might seem off the track, but an interesting thing to me that others could talk about better than I, but one… — Sam Abell Copy Share Image
It's more difficult now, to be a Geographic photographer, than it was when I came along. And it wasn't easy at that… — Sam Abell Copy Share Image
It matters little how much equipment we use; it matters much that we be masters of all we do use. — Sam Abell Copy Share Image
I had luck, but I worked hard and I suffered. It's not just photography I'm talking about. It's about whatever dream you… — Sam Abell Copy Share Image
[In the late 80's] that's the first time I heard about that astonishing idea [that most photographs would be taken on telephones].… — Sam Abell Copy Share Image
I think that it's workshops, honestly, that have kept me keen about photography, and about my photography. My career as a workshop… — Sam Abell Copy Share Image
It's a little bit like talking about the life of writing. The life of writing may be about many things, but it… — Sam Abell Copy Share Image
'Woman on the Plaza,' with its distinct horizon, snow-like surfaces, wintry wall, stunning sunlight, sharp shadows, and hurrying figure, would become the… — Sam Abell Copy Share Image
The neatest part of this book I'm working on - to me - are the pictures that show the process... Because photographers...… — Sam Abell Copy Share Image
First of all, I appropriate photographs.In presenting the Richard Prince photograph I tried to be as neutral as I could be. I… — Sam Abell Copy Share Image
Photography, alone of the arts, seems perfected to serve the desire humans have for a moment - this very moment - to stay. — Sam Abell Copy Share Image
I did it once, and National Geographic recruited me. I did it primarily out of curiosity. A lot of legendary photographers had worked on… — Sam Abell Copy Share Image
I can't speak for other photographers, but the photographers who went forward strongly when the so-called "official" part of their career ended, to me,… — Sam Abell Copy Share Image
Actually, ambition won't get you that far. You'll shift gears. You'll see something that's shinier. But if you believe... then you're the long-distance runner. — Sam Abell Copy Share Image
A mad, keen photographer needs to get out into the world and work and make mistakes. — Sam Abell Copy Share Image
I have this awareness that the more dynamic the situation is, the more on guard I need to be that the dynamic isn't controlling… — Sam Abell Copy Share Image
What I'm interested in is modern American history. I'm taken with the changes that have occurred in America in my lifetime. — Sam Abell Copy Share Image
Life rarely presents fully finished photographs. An image evolves, often from a single strand of visual interest - a distant horizon, a moment of… — Sam Abell Copy Share Image
Photographs that transcend but do not deny their literal situation appeal to me. — Sam Abell Copy Share Image
I wanted life to be episodic. I wanted to be a magazine photographer and I was willing to do what it took to become… — Sam Abell Copy Share Image
That statement [ Stephen Ambrose:'You, Sam, have the hardest job, which is, pretend like nothing has happened in the last 200 years.'] woke me… — Sam Abell Copy Share Image