A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own.… — Robert Smithson Copy Share Image
As long as cameras are around no artist will be free of bewilderment. — Robert Smithson Copy Share Image
Let's face it, the human eye is clumsy, sloppy, and unintelligible when compared to the camera's eye. — Robert Smithson Copy Share Image
One day the photograph is going to become even more important than it is now.... But I am not particularly an advocate… — Robert Smithson Copy Share Image
Noon-day sunshine cinema-ized the site, turning the bridge and the river into an over-exposed picture. Photographing it with my Instamatic 400 was… — Robert Smithson Copy Share Image
Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of… — Robert Smithson Copy Share Image
There is something abominable about cameras, because they possess the power to invent many worlds. As an artist who has been lost… — Robert Smithson Copy Share Image
A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care… — Robert Smithson Copy Share Image
“It’s like the end of the day where you feel nothing has been achieved and you’re in a hurry to get the day over… — Robert Smithson Copy Share Image
Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time. — Robert Smithson Copy Share Image
Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future — Robert Smithson Copy Share Image
History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy — Robert Smithson Copy Share Image
Language should be an ever developing procedure and not an isolated occurrence. — Robert Smithson Copy Share Image
History is a facsimile of events held together by finally biographical information. — Robert Smithson Copy Share Image
Language thus becomes monumental because of the mutations of advertising — Robert Smithson Copy Share Image
“Language operates between literal and metaphorical signification. The power of a word lies in the very inadequacy of the context it is placed, in… — Robert Smithson Copy Share Image
Objects in a park suggest static repose rather than any ongoing dialectic. Parks are finished landscapes for finished art . — Robert Smithson Copy Share Image
From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline. — Robert Smithson Copy Share Image
