I'm really interested in the difference between selfishness and generosity. It confuses me to no end because sometimes it all just feels… — Nate Lowman Copy Share Image
It's a shame when other people's gambling habits change the meaning of paintings or when fluctuations of value start to dictate how… — Nate Lowman Copy Share Image
Architecture is a discourse; everything is a discourse. Fashion discourse is actually a micro-discourse, because it's centered around the body. It is… — Nate Lowman Copy Share Image
It's nice that I can go down the road of obsessing over this smiley-face bullshit so maybe I can get free from it and… — Nate Lowman Copy Share Image
To me, a drop of oil paint or a xerographic dot are the same thing - they're all just language. — Nate Lowman Copy Share Image
Language is the most beautiful and destructive thing because it allows you to express yourself, but it totally confuses everything. — Nate Lowman Copy Share Image
I do believe that I will see the apocalypse in my lifetime. And when it comes, I'm not repenting for anything I've done. — Nate Lowman Copy Share Image
I don't have a great imagination to share something with you that you don't know, so it's about interpreting things - a dialogue. — Nate Lowman Copy Share Image
I think of other artists as generous when I get inspired by their work. That's why I like curating. You don't want to take… — Nate Lowman Copy Share Image
The night schedule is a crazy pit I fall into most of the time, but I do like it because the buzz of normal… — Nate Lowman Copy Share Image
A lot of people use a smiley face when they write letters. But it's this huge insane compulsion, like "I'm happy! I swear!" I'm… — Nate Lowman Copy Share Image
For me, Corsica is a place that I visited with my friends, maybe five or six times over the years, and I'm so happy… — Nate Lowman Copy Share Image
I'm really interested in the difference between selfishness and generosity. It confuses me to no end because sometimes it all just feels like pure… — Nate Lowman Copy Share Image
