I've been influenced by someone or [English artists] work. I mentioned Hans Coper as an example. — Warren MacKenzie Copy Share Image
There were a lot of artists in St. Ives. In fact, since the time of Whistler, St. Ives has been noted as… — Warren MacKenzie Copy Share Image
[Sculpturing] didn't stick with me. I never felt I wanted to go on with that. — Warren MacKenzie Copy Share Image
I was a very hard-edged geometric painter, strongly influenced by [Piet] Mondrian and [Theo] van Doesburg and that sort of thing. — Warren MacKenzie Copy Share Image
So I very quickly stopped almost all decoration. I was interested in the three-dimensional form of the pots, but my decoration was… — Warren MacKenzie Copy Share Image
Robert von Neumann taught painting, and when I finally got into a painting class of his, he reacted in much the same… — Warren MacKenzie Copy Share Image
Alix [MacKenzie] was a looser, more linear painter, dealing with amoebic forms, let's say, close to [Joan] Miró as opposed to my… — Warren MacKenzie Copy Share Image
When I was in school in the Art Institute, we had several problems during the course of the time we were taking… — Warren MacKenzie Copy Share Image
[My pots ] are not like [Hans] Coper's at all, but the idea came from seeing catalogue of his work, although at… — Warren MacKenzie Copy Share Image
I found out later on that was not true, that life drawing tells you a great deal about rhythm, about the structure… — Warren MacKenzie Copy Share Image
In fact, I believe to a certain extent a person today who starts with just clay, with no drawing and no painting… — Warren MacKenzie Copy Share Image
At that [childhood] time, of course, if you were involved in art, it was going to be drawing and painting, because that's… — Warren MacKenzie Copy Share Image
I took a number of graphic courses, lithography and etching and wood engraving [at Art Institute]. And particularly as I got more… — Warren MacKenzie Copy Share Image
I started to do silk-screen in the early days of my painting training, due to a woman who taught art history at… — Warren MacKenzie Copy Share Image
If you take Lucie Rie and Hans Coper, their work didn't even relate to what we were trying to do, because they… — Warren MacKenzie Copy Share Image
Bernard [Leach] knew Ben Nicholson, Barbara Hepworth, Terry Frost, Peter Lanyon, Johnny Wells. I can think of a number of people that… — Warren MacKenzie Copy Share Image
I don't know, it's very difficult if you're in a strange country to just barge in and say, "Hello, I'm Warren MacKenzie,… — Warren MacKenzie Copy Share Image
I thought I was going to be able to use my painting ideas as decoration on pottery, but my painting did not… — Warren MacKenzie Copy Share Image
Some years ago I was working on some forms which were vase forms with a fairly narrow base, and it was after… — Warren MacKenzie Copy Share Image
In working on a drawing or a painting, one can rework and rework and rework and change ideas until you get it… — Warren MacKenzie Copy Share Image
There was a school in Chicago called the School of Design. This was started by [Laszló] Moholy-Nagy, and it was a wonderful… — Warren MacKenzie Copy Share Image
Eventually I gave up teaching at the St. Paul Gallery because of disagreements with the philosophy of that museum, and I got… — Warren MacKenzie Copy Share Image
[St. Ives] is a wonderful place to live. It's a small fishing town and one can live there inexpensively. There's a sympathetic… — Warren MacKenzie Copy Share Image
I thought, oh, I'm going to be a painter. And eventually my family had moved near Chicago, and when I graduated from… — Warren MacKenzie Copy Share Image
[Kathleen Blackshear] just said, "Have you thought of looking at this?" and so on and so on and so on. And it was a… — Warren MacKenzie Copy Share Image
Some years ago I was working on some forms which were vase forms with a fairly narrow base, and it was after [Hans] Coper… — Warren MacKenzie Copy Share Image
I found out later on that was not true, that life drawing tells you a great deal about rhythm, about the structure of a… — Warren MacKenzie Copy Share Image
Remember, this is back in the '40s, and the idea of a museum being a place where interested people could come in direct contact… — Warren MacKenzie Copy Share Image
At the end of that two weeks Bernard [Leach] asked us if we would like to sit with him tending the kiln, the big… — Warren MacKenzie Copy Share Image
I got drafted into the army and by pure chance was pushed into a silk-screen shop at this camp where I was, because they… — Warren MacKenzie Copy Share Image
[In the Field Museum of Natural History] we could see very simple, primitive, hand-built pottery from Babylonia and ancient Egypt and so forth, Greece.… — Warren MacKenzie Copy Share Image
Chicago is a wonderful area because it's blessed with a tremendous number of museums of various sorts, not only the Art Institute of Chicago… — Warren MacKenzie Copy Share Image
It was a wonderful opportunity. And so for two and a half years we lived with [Bernard] Leach. — Warren MacKenzie Copy Share Image
We thought [with Alix MacKenzie], if those are the kinds of pots from every culture that interest us, why would we think that it… — Warren MacKenzie Copy Share Image
I went to the Chicago Art Institute, which was the best painting school in the area at that time. And I took painting classes… — Warren MacKenzie Copy Share Image
It was there that we really first came in contact with the work of Shoji Hamada, who was Bernard's best friend from Japan, who… — Warren MacKenzie Copy Share Image