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The Tao Te Ching is partly in prose, partly in verse; but…

“The Tao Te Ching is partly in prose, partly in verse; but as we define poetry now, not by rhyme and meter but as a patterned intensity of language, the whole thing is poetry. I wanted to catch that poetry, its terse, strange beauty. Most translations have caught meanings in their net, but prosily…” quote by Ursula K. Le Guin
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““The Tao Te Ching is partly in prose, partly in verse; but as we define poetry now, not by rhyme and meter but as a patterned intensity of language, the whole thing is poetry. I wanted to catch that poetry, its terse, strange beauty. Most translations have caught meanings in their net, but prosily, letting the beauty slip through. And in poetry, beauty is no ornament; it is the meaning. It is the truth. We have that on good authority.””

Ursula K. Le Guin

About This Quote

This interpretation was drafted with AI assistance. It is one reading of the quote, not the author's own explanation.

Le Guin argues that the Tao Te Ching’s power lies in its poetic intensity, where form and meaning are inseparable, and that translations often miss this beauty.

In simple terms: Poetry and meaning are one in the Tao Te Ching.

Key Takeaway

Seek translations that preserve poetic form.

Themes

translation poetry meaning truth beauty

Mood

reflective inquisitive

Type

literary philosophical

When to use this quote

  • reading classics
  • studying translations
  • teaching literature
  • writing poetry

Key Concepts

literary theory philosophy of language

Questions to Reflect On

  • How does poetic form shape meaning?
  • Can a translation be both accurate and beautiful?
A Different Perspective

Translations can never fully capture the original rhythm and cultural nuance.

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