I got a dollhouse when I was six, and my sister would always say, 'You realize you're just talking to yourself. What… — Misha Green Copy Share Image
As an artist, you hope you're speaking to the times, and the times are definitely speaking to you. There's no way to… — Misha Green Art Copy Share Image
In 'Underground,' you have to write for everyone, even the bad guys. People need to laugh and love and have voices and… — Misha Green Copy Share Image
I think, because you look around in Hollywood, and there are no 'me's. There's nobody that's as young as me, as black… — Misha Green Hollywood Copy Share Image
I have read H.P. Lovecraft, and I understand why he has influenced so much of horror writing. But because of his history,… — Misha Green Copy Share Image
It's hard for me to say what viewers will take from a thing because I try not to think about that when… — Misha Green Copy Share Image
The story of the Underground Railroad is a thriller. These are people who are basically in a heist movie, and it's the… — Misha Green Copy Share Image
I was like, 'Oh, let's do a show about the Underground Railroad.' I never come up with great titles, and I thought,… — Misha Green Copy Share Image
In an homage, you always want to subvert it and have fresh new takes. You don't want the audience to say, 'Oh… — Misha Green Homage Copy Share Image
I don't want to say you should censor yourselves, but the storyteller should be able to defend why a narrative needed to… — Misha Green Copy Share Image
One of the reasons I love horror so much is - when it's done well - you can keep peeling away the… — Misha Green Horror Copy Share Image
On 'Underground,' we had used contemporary music to pull you into the present and not just look at it as a portrait… — Misha Green Copy Share Image
I think that's when I get excited in the writers' room - when people are yelling back and forth at each other. — Misha Green Copy Share Image
It's easy to let ourselves off the hook and say, 'Oh, I would never own slaves.' Because this is in the DNA… — Misha Green Country Copy Share Image
Horror is my favorite genre, but it works best for me when it's a metaphor on top of something we can all… — Misha Green Copy Share Image
I mean, you can't help but imagine it a little bit... like, 'What would I do with a Black Canary show?' It'd… — Misha Green Copy Share Image
That's what the best art does, it starts the conversation. What you may see in a scene or a line isn't what… — Misha Green Art Copy Share Image
What's so interesting is taking kind of all these horror tropes and really finding black history and American history to layer on… — Misha Green Copy Share Image
During the Civil War, the Underground Railroad became a spy network, so we could still have fresh stories for these characters years… — Misha Green Civil war Copy Share Image
For me, a theme that's always circling around in my head - which is why I love the horror genre - is… — Misha Green Horror Copy Share Image
In horror, there's a level of anxiety that your life can be taken at any moment. That's the Black experience. — Misha Green Anxiety Copy Share Image
I was working at Talesai, which is a Thai restaurant on Sunset. I actually worked there through selling my first script. — Misha Green Restaurant Copy Share Image
Aisha Hinds wasn't in my life one day, and now suddenly I see her every day. I'm like 'You're amazing. What are… — Misha Green Amazing Copy Share Image
Music has this ability to bridge time. You can hear a song from the 1920s and still be like, 'Oh, that's it.… — Misha Green Ability Copy Share Image
