When people see what real 3D looks like, they'll go, "Oh, that's why I spend an extra $5 a cinema ticket. That's… — Paul W. S. Anderson Copy Share Image
People see my films, and they cheer and they clap, and they are the kind of movies I like to see myself. — Paul W. S. Anderson Copy Share Image
Apocalyptic movies tend to thrive when people are concerned about the state of the world. — Paul W. S. Anderson Copy Share Image
When you make people a lot of money, it gives you leverage in Hollywood. — Paul W. S. Anderson Copy Share Image
I don't think it would be possible for me to respect people like Ridley Scott or James Cameron more than I already… — Paul W. S. Anderson Copy Share Image
I find it terribly distracting in movies when people do accents, I must say, unless it's terribly serious and the story is… — Paul W. S. Anderson Copy Share Image
I really believe that, as filmmakers, we have a duty, which is, if we're asking people to pay a premium price for… — Paul W. S. Anderson Copy Share Image
When that technology becomes widespread and it's on every car on the freeways, it's going to save so many lives. Especially in… — Paul W. S. Anderson Copy Share Image
When I made my first film, 'Shopping,' the reviews were incredibly snooty. They said things like, 'Jude Law is too pretty for… — Paul W. S. Anderson Copy Share Image
The idea of doing a period movie, some people say, "Isn't it odd that you're doing a period movie? That's a change… — Paul W. S. Anderson Copy Share Image
If you're going to ask people to pay a premium price, you have to deliver a premium product. Not enough 3D movies… — Paul W. S. Anderson Copy Share Image
When you watch movies in Britain, the reaction when people hate a movie is... they just politely get up and leave at… — Paul W. S. Anderson Copy Share Image
Interestingly it's when you come to the comedy, that's where a lot of the discussion is. It's like ten people sitting around… — Paul W. S. Anderson Copy Share Image
Commercials are also any opportunity to meet new crew and work with new kind of rigs. You can explore working with different… — Paul W. S. Anderson Copy Share Image
I think when people think of Pompeii, they think it was just destroyed by the volcano. Yes, it was the eruption of… — Paul W. S. Anderson Copy Share Image
I think people were a little nervous to work with me to start with, because the movies I've done they thought that… — Paul W. S. Anderson Copy Share Image
There's something very terrifying about that and very primal about it. It's my belief that what horror does for people is that… — Paul W. S. Anderson Copy Share Image
I've had that recurring dream since I was a child, and a lot of people have different versions of that same dream,… — Paul W. S. Anderson Copy Share Image
'Pompeii' will be PG-13. I think it has to have a level of violence and death in it because you've got a volcano exploding.… — Paul W. S. Anderson Copy Share
One of the things that struck me when I was a kid and I was learning about Pompeii was these figures that were frozen… — Paul W. S. Anderson Copy Share
There was a lot of pressure on me as a filmmaker to raise the bar and do better than before so, you know, I… — Paul W. S. Anderson Copy Share
When you watch movies in Britain, the reaction when people hate a movie is... they just politely get up and leave at the end.… — Paul W. S. Anderson Copy Share
I can't remember who said, 'No film is completed, just abandoned,' but I think most filmmakers will tell you that they could endlessly fiddle… — Paul W. S. Anderson Copy Share
I've always tried to do camera moves that I felt were immersive. So I think, as a filmmaker, my style of filmmaking is very… — Paul W. S. Anderson Copy Share
You can film the most exciting car chase and the most exciting stunts, but if you don't care about the person inside the car,… — Paul W. S. Anderson Copy Share
I think 'Lost' didn't invent the flashback, obviously. It's been a cinematic tool. It's been around almost as long as cinema has. — Paul W. S. Anderson Copy Share
These commercials, I directed them all from inside the tracking vehicle, so I was traveling about 85mph most of the time, so there wasn't… — Paul W. S. Anderson Copy Share
We've been working on the visual effects for a year, so we're trying to raise the bar. Stuff will absolutely come out at the… — Paul W. S. Anderson Copy Share
I think people were a little nervous to work with me to start with, because the movies I've done they thought that I wouldn't… — Paul W. S. Anderson Copy Share
When you're writing it's a very solitary job. It's you and your word processor and a cup of tea. It's nice- that again, is… — Paul W. S. Anderson Copy Share
