If you make just hardcore horror, there's a limited audience for that. Whereas if it's horror mixed with action, I think you… — Paul W. S. Anderson Copy Share Image
You can film the most exciting car chase and the most exciting stunts, but if you don't care about the person inside… — Paul W. S. Anderson Copy Share Image
If you're going to make a horror movie, it doesn't get any better than 'Alien,' and if you're going to make an… — Paul W. S. Anderson Copy Share Image
We are definitely modernizing 'The Three Musketeers' without compromising the fun of shooting a period piece. But in our film, corsets and… — Paul W. S. Anderson Copy Share Image
I like alternating commercials with movies, because it keeps the pace up. You can't slack on a commercial. You need to go… — Paul W. S. Anderson Copy Share Image
It's all based around the idea that basically VW cars are space age. They're the worst cars to use in action movie,… — Paul W. S. Anderson Copy Share Image
When I first came to Hollywood to make 'Mortal Kombat' back in the day, there was this rule that female-led action movies… — Paul W. S. Anderson Copy Share Image
Death Race was a very modern action movie and it used all of those modern action techniques with lots of hand-held camera,… — Paul W. S. Anderson Copy Share Image
When we wrapped Resident Evil, we were a 3D movie, but it was no big deal. And then, Avatar came out and… — Paul W. S. Anderson Copy Share Image
There's something very terrifying about that and very primal about it. It's my belief that what horror does for people is that… — Paul W. S. Anderson Copy Share Image
So each of the commercials- basically it's an action movie cliché. "Bus" is very much inspired by Speed obviously, where you have… — Paul W. S. Anderson Copy Share Image
I never really thought I went away because I've written all of the movies and I'm produced them all and certainly provided… — Paul W. S. Anderson Copy Share Image
'Death Race' was a very modern action movie, and it used all of those modern action techniques with lots of hand-held camera,… — Paul W. S. Anderson Copy Share Image
'Pompeii' will be PG-13. I think it has to have a level of violence and death in it because you've got a volcano exploding.… — Paul W. S. Anderson Copy Share
One of the things that struck me when I was a kid and I was learning about Pompeii was these figures that were frozen… — Paul W. S. Anderson Copy Share
There was a lot of pressure on me as a filmmaker to raise the bar and do better than before so, you know, I… — Paul W. S. Anderson Copy Share
When you watch movies in Britain, the reaction when people hate a movie is... they just politely get up and leave at the end.… — Paul W. S. Anderson Copy Share
I can't remember who said, 'No film is completed, just abandoned,' but I think most filmmakers will tell you that they could endlessly fiddle… — Paul W. S. Anderson Copy Share
I've always tried to do camera moves that I felt were immersive. So I think, as a filmmaker, my style of filmmaking is very… — Paul W. S. Anderson Copy Share
You can film the most exciting car chase and the most exciting stunts, but if you don't care about the person inside the car,… — Paul W. S. Anderson Copy Share
I think 'Lost' didn't invent the flashback, obviously. It's been a cinematic tool. It's been around almost as long as cinema has. — Paul W. S. Anderson Copy Share
These commercials, I directed them all from inside the tracking vehicle, so I was traveling about 85mph most of the time, so there wasn't… — Paul W. S. Anderson Copy Share
We've been working on the visual effects for a year, so we're trying to raise the bar. Stuff will absolutely come out at the… — Paul W. S. Anderson Copy Share
I think people were a little nervous to work with me to start with, because the movies I've done they thought that I wouldn't… — Paul W. S. Anderson Copy Share
When you're writing it's a very solitary job. It's you and your word processor and a cup of tea. It's nice- that again, is… — Paul W. S. Anderson Copy Share
