Apocalyptic movies tend to thrive when people are concerned about the state of the world. — Paul W. S. Anderson Copy Share Image
I think for the disaster to work and the drama to work, you really need to feel like you're really in that… — Paul W. S. Anderson Copy Share Image
What I love about 'Monster Hunter' is the incredibly beautiful, immersive world they've created. It's on the level of, like, a 'Star… — Paul W. S. Anderson Copy Share Image
One of my favorite countries in the world is Japan, and I've spent a huge amount of time there. — Paul W. S. Anderson Copy Share Image
I guess it seemed like a natural thing to set 'AvP' in the world of the Alien, rather than the world of… — Paul W. S. Anderson Copy Share Image
The 'Monster Hunter' world includes these huge deserts that make the Gobi Desert look like a sandbox, and they have ships that… — Paul W. S. Anderson Copy Share Image
The other video game adaptation I did was Mortal Kombat, and I did that because I loved playing the games in the… — Paul W. S. Anderson Copy Share Image
In the modern world, there's a real genuine fear of loss of individuality, and I think the undead speak to that. I… — Paul W. S. Anderson Copy Share Image
The first job I did was Volkswagen, we shot it in Long Beach, and it was like they won multiple awards with… — Paul W. S. Anderson Copy Share Image
For me, it's a multitude of things. In the modern world, there's a real genuine fear of loss of individuality and I… — Paul W. S. Anderson Copy Share Image
'Pompeii' will be PG-13. I think it has to have a level of violence and death in it because you've got a volcano exploding.… — Paul W. S. Anderson Copy Share
One of the things that struck me when I was a kid and I was learning about Pompeii was these figures that were frozen… — Paul W. S. Anderson Copy Share
There was a lot of pressure on me as a filmmaker to raise the bar and do better than before so, you know, I… — Paul W. S. Anderson Copy Share
When you watch movies in Britain, the reaction when people hate a movie is... they just politely get up and leave at the end.… — Paul W. S. Anderson Copy Share
I can't remember who said, 'No film is completed, just abandoned,' but I think most filmmakers will tell you that they could endlessly fiddle… — Paul W. S. Anderson Copy Share
I've always tried to do camera moves that I felt were immersive. So I think, as a filmmaker, my style of filmmaking is very… — Paul W. S. Anderson Copy Share
You can film the most exciting car chase and the most exciting stunts, but if you don't care about the person inside the car,… — Paul W. S. Anderson Copy Share
I think 'Lost' didn't invent the flashback, obviously. It's been a cinematic tool. It's been around almost as long as cinema has. — Paul W. S. Anderson Copy Share
These commercials, I directed them all from inside the tracking vehicle, so I was traveling about 85mph most of the time, so there wasn't… — Paul W. S. Anderson Copy Share
We've been working on the visual effects for a year, so we're trying to raise the bar. Stuff will absolutely come out at the… — Paul W. S. Anderson Copy Share
I think people were a little nervous to work with me to start with, because the movies I've done they thought that I wouldn't… — Paul W. S. Anderson Copy Share
When you're writing it's a very solitary job. It's you and your word processor and a cup of tea. It's nice- that again, is… — Paul W. S. Anderson Copy Share
