Quote by Philip Hughes

“2. The visitor • Ask your client to pass on information about their current audience and any new audiences they would like to attract.…

— Philip Hughes

“ Writing an interactive brief 1. The contest of the interactive(s) within the story of the exhibition. 2. The key content messages. 3. Key…

— Philip Hughes

“In most cases, very long lines of text are avoided, especially at a low level. Area titles of chapter headings are usually mounted above…

— Philip Hughes

“The first rule is that all corporate signage but be scrupulously reproduced; normally no company or institution allows their corporate logo to be altered.…

— Philip Hughes

“[...] interactive media is no longer a novelty [...]—it is an expectation.”

— Philip Hughes

“What kind of thing is the religion those writings describe? The first difficulty before the enquirer is that the writings do not profess to…

— Philip Hughes

“ 10. Materials • Examine the durability, fixing methods, cost, sheet size and ease of use of materials. • Check the fire rating of…

— Philip Hughes

“This "take home" aspect of modern exhibitions has parallels with the traditional "giveaways" handed out to visitors and the themed trinkets from the museum…

— Philip Hughes

“5. 3-D design skills • Generate guiding ideas through research, mindmapping and personal observation. • Research and analyze relevant precedents. • Refer to the…

— Philip Hughes

“[Historically] display cases with thick wooden frames were the staple of most museum collections, providing security and protection from theft and damage. In conjunction…

— Philip Hughes

“[...] exhibition designers must be able to manage and work creatively with the digital information that surrounds and exhibition. Increasingly, the assets of a…

— Philip Hughes

“The architecture of the exhibit reflects the product's brand values, with its form, the tactile qualities of the materials, and the sound and smell…

— Philip Hughes