“ Writing an interactive brief 1. The contest of the interactive(s) within the story of the exhibition. 2. The key content messages.… — Philip Hughes Copy Share Image
“Very often exhibition designers are asked to create "interpretive masterplans". These address the need to plan links between disparate content/gallery areas, and… — Philip Hughes Copy Share Image
“ 9. Sound and film • Use sound and film to add depth to the theme of an exhibition. Many visitors respond… — Philip Hughes Copy Share Image
“2. The visitor • Ask your client to pass on information about their current audience and any new audiences they would like to attract.… — Philip Hughes Copy Share Image
“ Writing an interactive brief 1. The contest of the interactive(s) within the story of the exhibition. 2. The key content messages. 3. Key… — Philip Hughes Copy Share Image
“In most cases, very long lines of text are avoided, especially at a low level. Area titles of chapter headings are usually mounted above… — Philip Hughes Copy Share Image
“The first rule is that all corporate signage but be scrupulously reproduced; normally no company or institution allows their corporate logo to be altered.… — Philip Hughes Copy Share Image
“[...] interactive media is no longer a novelty [...]—it is an expectation.” — Philip Hughes Copy Share Image
“What kind of thing is the religion those writings describe? The first difficulty before the enquirer is that the writings do not profess to… — Philip Hughes Copy Share Image
“ 10. Materials • Examine the durability, fixing methods, cost, sheet size and ease of use of materials. • Check the fire rating of… — Philip Hughes Copy Share Image
“This "take home" aspect of modern exhibitions has parallels with the traditional "giveaways" handed out to visitors and the themed trinkets from the museum… — Philip Hughes Copy Share Image
“5. 3-D design skills • Generate guiding ideas through research, mindmapping and personal observation. • Research and analyze relevant precedents. • Refer to the… — Philip Hughes Copy Share Image
“[Historically] display cases with thick wooden frames were the staple of most museum collections, providing security and protection from theft and damage. In conjunction… — Philip Hughes Copy Share Image
“1. Then brief Be clear about what you're required to do. Make sure the brief allows for creative interpretation. Research the subject and the… — Philip Hughes Copy Share Image
“[...] exhibition designers must be able to manage and work creatively with the digital information that surrounds and exhibition. Increasingly, the assets of a… — Philip Hughes Copy Share Image
![“[...] interactive media is no longer a novelty [...]—it is an expectation.” quote by Philip Hughes](https://sms4smile.com/quotes/img-quotes/a9d/philip-hughes-17350_quote_interactive-media-is-no-longer-a-novelty_300299.jpg)
![“[Historically] display cases with thick wooden frames were the staple of most museum collections, providing security and protection from theft and damage. In conjunction with poor lighting, the glass of these cases meant that many exhibits were difficult to see and also created an important…” quote by Philip Hughes](https://sms4smile.com/quotes/img-quotes/b70/philip-hughes-17350_cybersecurity_historically-display-cases-with-thick-wo_489415.jpg)
![“[...] exhibition designers must be able to manage and work creatively with the digital information that surrounds and exhibition. Increasingly, the assets of a museum will include an electronic database that can be accessed through websites, apps and creative interactive devices within the…” quote by Philip Hughes](https://sms4smile.com/quotes/img-quotes/dc4/philip-hughes-17350_technology_exhibition-designers-must-be-able-to-man_527168.jpg)