““all passions, even the most unpleasant, are as passions pleasant” because “they make us . . . more conscious of our existence, they make us feel more real.” This sentence strikingly recalls the Greek doctrine of passions, which counted anger, for example, among the pleasant emotions but reckoned hope along with fear among the evils. This evaluation rests on differences in reality, exactly as in Lessing; not, however, in the sense that reality is measured by force with which the passion affects the soul but rather by the amount of reality the passion transmits to it. In hope, the soul overleaps reality, as in fear it shrinks back from it. But anger, and above all Lessing’s kind of anger, reveals and exposes the world just as Lessing’s kind of laughter in Minna von Barnhelm seeks to bring about reconciliation with the world. Such laughter helps one to find a place in the world, but ironically, which is to say, without selling one’s soul to it. Pleasure, which is fundamentally the intensified awareness of reality, springs from a passionate openness to the world and love of it. Not even the knowledge that man may be destroyed by the world detracts from the “tragic pleasure”.””
