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Backflips Quote by Chad Stahelski

“I think what we want to do is - when we choreograph, when we design choreography, we try to take it from a character standpoint first. Obviously you write a script and it's like, a Jason Bourne or a John Wick or something like that, you don't start choreographing double twisting wire moves and…” quote by Chad Stahelski
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“I think what we want to do is - when we choreograph, when we design choreography, we try to take it from a character standpoint first. Obviously you write a script and it's like, a Jason Bourne or a John Wick or something like that, you don't start choreographing double twisting wire moves and backflips, or doing the splits. You try to keep it so it fits the character, or the tone of the film.”

Chad Stahelski

About This Quote

Source Interview: Choreography Process, Chad Stahelski, 2021

Choreography should stem from character and story, ensuring movement serves narrative rather than spectacle.

In simple terms: Fit movement to character.

Key Takeaway

Design moves that tell the story.

Themes

film storytelling movement

Mood

creative analytical

Type

cinematic inspirational

When to use this quote

  • action film
  • musical theater
  • character‑driven dance
  • scene planning

Key Concepts

character analysis narrative coherence creative process

Questions to Reflect On

  • How does movement reveal character traits?
  • When should visual flair be prioritized?
A Different Perspective

Focusing too much on spectacle can dilute character authenticity.

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