Part of it has to do with the discipline of being actively receptive. At the core of this receptivity is a process… — Henry Wessel, Jr Core Copy Share Image
I don't go out looking for pictures. I go out, and if something catches my eye, that's reason enough to photograph it. — Henry Wessel, Jr Enough Copy Share Image
If you let some time go by before considering work that you have done, you move toward a more objective position in… — Henry Wessel, Jr Considering Copy Share Image
You're suddenly seeing the coherence and the interconnectedness of everything, left to right, top to bottom, front to back. It's all connected,… — Henry Wessel, Jr Balance Copy Share Image
[The photographer's task] is to describe the existing light... Chances are, if you believe the light, you're going to believe that the… — Henry Wessel, Jr Believe Copy Share Image
In a still photograph you basically have two variables, where you stand and when you press the shutter. That's all you have. — Henry Wessel, Jr Photograph Copy Share Image
It can happen anytime, anywhere. I mean, you don't have to be in front of stuff that's going to make a good… — Henry Wessel, Jr Fronts Copy Share Image
Most musicians I know don't just play music on Saturday night. They play music every day. They are always fiddling around, letting… — Henry Wessel, Jr Day night Copy Share Image
I actually try and work before my mind is telling me what to do. — Henry Wessel, Jr Mind Copy Share Image
I could feel myself changing physically. It was like something dropped out of the sky. Seeing her on the fire escape had… — Henry Wessel, Jr Certain Copy Share Image