Andrew Sarris

Movies are as old as psychoanalysis. So if I were to put you or anyone else on a couch and say, 'Tell…

— Andrew Sarris

Tokyo Sonata speaks to us, with feeling and passion, as one of the most eloquent statements on the world today that we…

— Andrew Sarris

Lola Montes is, in my unhumble opinion, the greatest film of all time, and I am willing to stake my critical reputation,…

— Andrew Sarris

Lemon Tree is well worth seeing as a first-class artistic achievement bridging two civilizations.

— Andrew Sarris

The emotional elevation of the film is due in no small measure to the extraordinarily engaging performances of Anne Bancroft as the…

— Andrew Sarris

Hitchcock is the most-daring avant-garde film-maker in America today.

— Andrew Sarris

I was a solipsist and a narcissist and much too arrogant. I have a lot more compassion now, but it took a…

— Andrew Sarris

It is cynicism, and not idealism, that is generally the mark of youthful immaturity, or rather it is the cynic who is…

— Andrew Sarris

The Window is not without a certain visual spell that makes it a first-rate artistic achievement.

— Andrew Sarris

I've always said to people that auteurism is nice, but it's hypothetical, and gradually you learn how much or how little influence…

— Andrew Sarris

I never argue with people about movies.

— Andrew Sarris

I'm afraid you can't create tragedy out of abnormal psychology.

— Andrew Sarris

I hate to go out on a limb after only one viewing, but Nashville strikes me as Altman's best film, and the…

— Andrew Sarris

There's a part of me that looks beyond everything now.

— Andrew Sarris