Michael would take us on location and see how the colors worked in the forests and fields. — Madeleine Stowe Copy Share Image
I'm reticent to say much more, but we would like to begin in the coming year. We'd like to shoot through the seasons because of the passage of time. This project is the great love of my life. — Madeleine Stowe Copy Share Image
I love the life of an actor because you spend brief amounts of time with other people and then you just leave. I need… — Madeleine Stowe Copy Share Image
As we were leaving the Huron camp, it was awkward filming. I think that the Huron watching us was there to create tension -… — Madeleine Stowe Copy Share Image
There were mornings in the make-up trailer where I'd have fits of laughter because of the extraordinary daily events of the shoot. Sometimes, it… — Madeleine Stowe Copy Share Image
There came a point in time when Michael was under a great deal of pressure to alter the film in a way that was… — Madeleine Stowe Copy Share Image
He also didn't like a lock of my hair and said that he couldn't get into the moment without the hair being just right.… — Madeleine Stowe Copy Share Image
Saving Milly was a break from this effort because I felt that it was time to be part of something that could shed light… — Madeleine Stowe Copy Share Image
The Kiss scene was attempted three times. The first was in a peculiar spot of the fort on the ground level. It felt forced… — Madeleine Stowe Copy Share Image
It was treacherous. I think someone was injured. But I did love being there, we all did. — Madeleine Stowe Copy Share Image
I phoned Joe Roth, who was head of the studio at the time, and told him how beautiful the film was, and that I… — Madeleine Stowe Copy Share Image
Michael would take us on location and see how the colors worked in the forests and fields. — Madeleine Stowe Copy Share Image
I've never returned to the locations. I do remember certain days more clearly than others and certain locations with a sense of nostalgia. Perhaps… — Madeleine Stowe Copy Share Image
