As a reader, I appreciate a world that feels unsettled and also visceral, inhabitable, so that's a quality I try and bring… — Laura van den Berg Copy Share Image
When I'm absorbed in a work of fiction, time and place melts away, as though I've drifted away from my usual reality… — Laura van den Berg Copy Share Image
I think that one thing about teaching is you're trying to communicate your thoughts about a work to a group of people… — Laura van den Berg Copy Share Image
I am a pretty omnivoracious reader in respect to prose style, but if the prose doesn't have its own music, if the… — Laura van den Berg Copy Share Image
I teach fiction in my workshops, and some of the readings could be classified as horror. For example, 'House Taken Over,' a… — Laura van den Berg Copy Share Image
If I'm really rolling with a short story, I work on it everywhere and end up with a finished draft in a… — Laura van den Berg Copy Share Image
I realized that, for me, travel for work - I'm not speaking so much about travel for pleasure - had actually become… — Laura van den Berg Copy Share Image
When I'm working on a short story, I could duck into a bathroom at a crowded party and write a scene, which… — Laura van den Berg Copy Share Image
I do not work well when I am in living in a cyclone of panic. I reject actively seeking out destabilization and… — Laura van den Berg Copy Share Image
I always tell my students that, in fiction, the opening is a clue to the work's DNA: not only what it is,… — Laura van den Berg Copy Share Image
Like many American readers, I was first introduced to Magda Szabo's work when New York Review Books reissued the Hungarian master's profound… — Laura van den Berg Copy Share Image
I am temperamentally drawn to work that shoves the strange and normal against one another, it's true, although I don't see the… — Laura van den Berg Copy Share Image
I was born and raised in Orlando, where the economy and culture has been powerfully shaped by tourism, and so I've long been interested… — Laura van den Berg Copy Share Image
I lived in Boston for three years, and during that time, I wrote my first collection of stories, 'What the World Will Look Like… — Laura van den Berg Copy Share Image
I take a pretty expansive view of craft, which is to say I don't see craft as just being technique - it's also process;… — Laura van den Berg Copy Share Image
To me, in general, something that's really rich in terms of identity about transit spaces is that they're so intimate. Especially thinking about long… — Laura van den Berg Copy Share Image
To a certain degree, I think both self-narrativizing and selective memory are essential survival skills. — Laura van den Berg Copy Share Image
There's the public self that we present to the outer world. There's the private self, which maybe takes more time to access. But ultimately,… — Laura van den Berg Copy Share Image
I think my concern is I know my voice, and I know the kinds of landscapes that interest me, so my primary concern is… — Laura van den Berg Copy Share Image
My students are often asking me, 'What do you think are the most important qualities for a writer?' And one thing I always tells… — Laura van den Berg Copy Share Image
As a reader, I appreciate a world that feels unsettled and also visceral, inhabitable, so that's a quality I try and bring to my… — Laura van den Berg Copy Share Image
Youth is such a fascinating and volatile concoction of vulnerability, dependence, restlessness, relentlessness. You're still learning the terms of the world and of the… — Laura van den Berg Copy Share Image
As a genre, the best horror poses central human questions - Who can you trust? What is the cost of our secrets? What is… — Laura van den Berg Copy Share Image
Paradoxically, the only thing that helps when I'm feeling despairing about writing is to write. — Laura van den Berg Copy Share Image
