I love Javier Marias; I love his novel 'Tomorrow in the Battle Think on Me.' — Laura van den Berg Copy Share Image
I really need so much time to really make headway on a novel that requires me to disappear from the world in… — Laura van den Berg Copy Share Image
With both novels and short stories, I think a lot in terms of character arcs, when it comes to endings. — Laura van den Berg Copy Share Image
The kind of dystopian books that I've always loved the most are the ones where you find yourself in a world that's… — Laura van den Berg Copy Share Image
We write in a culture that favors the heft of the novel. Better still if the novel in question is large enough… — Laura van den Berg Copy Share Image
I wager we have a vast amount of literature out there that tends to the stories of men, so I've never really… — Laura van den Berg Copy Share Image
I teach fiction in my workshops, and some of the readings could be classified as horror. For example, 'House Taken Over,' a… — Laura van den Berg Copy Share Image
If you're working on a novel, whatever you do, don't say, 'I am almost finished with my novel.' It's worse than chanting… — Laura van den Berg Copy Share Image
I am a pretty omnivoracious reader in respect to prose style, but if the prose doesn't have its own music, if the… — Laura van den Berg Copy Share Image
If I'm really rolling with a short story, I work on it everywhere and end up with a finished draft in a… — Laura van den Berg Copy Share Image
As a reader, I appreciate a world that feels unsettled and also visceral, inhabitable, so that's a quality I try and bring… — Laura van den Berg Copy Share Image
My students are often asking me, 'What do you think are the most important qualities for a writer?' And one thing I… — Laura van den Berg Copy Share Image
Unlike a novel, where you expect a different kind of arc that leaves us with a somber sense of resolution, I think… — Laura van den Berg Copy Share Image
I know some writers that have a million novel ideas, but I don't. — Laura van den Berg Copy Share Image
It puzzles me when writers say they can't read fiction when they're writing fiction because they don't want to be influenced. I'm… — Laura van den Berg Copy Share Image
Like many American readers, I was first introduced to Magda Szabo's work when New York Review Books reissued the Hungarian master's profound… — Laura van den Berg Copy Share Image
It's not easy to craft a novel that gradually erodes the reader's comprehension of the world, of reality and identity and the… — Laura van den Berg Copy Share Image
“My husband is nervous about a lot of things down here, like the monstrous size of the fire ants and the quality… — Laura van den Berg Copy Share Image
In the novels I most admire, there is this sense that, within the confines of the world, the possibilities are always opening… — Laura van den Berg Copy Share Image
I was born and raised in Orlando, where the economy and culture has been powerfully shaped by tourism, and so I've long been interested… — Laura van den Berg Copy Share Image
I lived in Boston for three years, and during that time, I wrote my first collection of stories, 'What the World Will Look Like… — Laura van den Berg Copy Share Image
I take a pretty expansive view of craft, which is to say I don't see craft as just being technique - it's also process;… — Laura van den Berg Copy Share Image
To me, in general, something that's really rich in terms of identity about transit spaces is that they're so intimate. Especially thinking about long… — Laura van den Berg Copy Share Image
To a certain degree, I think both self-narrativizing and selective memory are essential survival skills. — Laura van den Berg Copy Share Image
There's the public self that we present to the outer world. There's the private self, which maybe takes more time to access. But ultimately,… — Laura van den Berg Copy Share Image
I think my concern is I know my voice, and I know the kinds of landscapes that interest me, so my primary concern is… — Laura van den Berg Copy Share Image
My students are often asking me, 'What do you think are the most important qualities for a writer?' And one thing I always tells… — Laura van den Berg Copy Share Image
As a reader, I appreciate a world that feels unsettled and also visceral, inhabitable, so that's a quality I try and bring to my… — Laura van den Berg Copy Share Image
Youth is such a fascinating and volatile concoction of vulnerability, dependence, restlessness, relentlessness. You're still learning the terms of the world and of the… — Laura van den Berg Copy Share Image
As a genre, the best horror poses central human questions - Who can you trust? What is the cost of our secrets? What is… — Laura van den Berg Copy Share Image
Paradoxically, the only thing that helps when I'm feeling despairing about writing is to write. — Laura van den Berg Copy Share Image
