The past is an open wound, a life force busily shaping an increasingly bewildering present. — Laura van den Berg Copy Share Image
The moment when my husband and I clasped hands and turned from our officiant, newly wed, was the most light-filled of my… — Laura van den Berg Copy Share Image
In 'The Third Hotel,' my narrator, Claire, is wrestling with this sense of perpetual unfinishedness. She's trying to make sense of her… — Laura van den Berg Copy Share Image
If I'm really rolling with a short story, I work on it everywhere and end up with a finished draft in a… — Laura van den Berg Copy Share Image
“Margot suspects Sam has never understood her chronic unease, her relationship to difficulty--he who can drink all night with louche grace and… — Laura van den Berg Copy Share Image
I realized that, for me, travel for work - I'm not speaking so much about travel for pleasure - had actually become… — Laura van den Berg Copy Share Image
In my own life, I have found grief to be enormously distorting, particularly if it's sudden or extreme in nature. — Laura van den Berg Copy Share Image
Often, contrasts bring art to life: the bright speck of paint on a dark canvas; the tightrope walk between humor and tragedy. — Laura van den Berg Copy Share Image
I was born and raised in Orlando, where the economy and culture has been powerfully shaped by tourism, and so I've long been interested… — Laura van den Berg Copy Share Image
I lived in Boston for three years, and during that time, I wrote my first collection of stories, 'What the World Will Look Like… — Laura van den Berg Copy Share Image
I take a pretty expansive view of craft, which is to say I don't see craft as just being technique - it's also process;… — Laura van den Berg Copy Share Image
To me, in general, something that's really rich in terms of identity about transit spaces is that they're so intimate. Especially thinking about long… — Laura van den Berg Copy Share Image
To a certain degree, I think both self-narrativizing and selective memory are essential survival skills. — Laura van den Berg Copy Share Image
There's the public self that we present to the outer world. There's the private self, which maybe takes more time to access. But ultimately,… — Laura van den Berg Copy Share Image
I think my concern is I know my voice, and I know the kinds of landscapes that interest me, so my primary concern is… — Laura van den Berg Copy Share Image
My students are often asking me, 'What do you think are the most important qualities for a writer?' And one thing I always tells… — Laura van den Berg Copy Share Image
As a reader, I appreciate a world that feels unsettled and also visceral, inhabitable, so that's a quality I try and bring to my… — Laura van den Berg Copy Share Image
Youth is such a fascinating and volatile concoction of vulnerability, dependence, restlessness, relentlessness. You're still learning the terms of the world and of the… — Laura van den Berg Copy Share Image
As a genre, the best horror poses central human questions - Who can you trust? What is the cost of our secrets? What is… — Laura van den Berg Copy Share Image
Paradoxically, the only thing that helps when I'm feeling despairing about writing is to write. — Laura van den Berg Copy Share Image
