When we were making Speaking in Tongues and Remain in Light, we were jamming. From that we were taking the best bits and then recording and improvising on top of those. — Tina Weymouth Copy Share Image
David is purely a conceptual artist. He didn't play any instruments or paint or anything. We were painters. — Tina Weymouth Copy Share Image
We always thought the Tom Tom Club could change to anything, but it acquired this image, which was cartoon animation and this real light-hearted… — Tina Weymouth Copy Share Image
In Europe they understand that the arts are incredibly important both culturally and economically. — Tina Weymouth Copy Share Image
Being able to allow people to be who they are without trying to change them is important. — Tina Weymouth Copy Share Image
I would really love to work with Paul McCartney. Isn't that arrogant? — Tina Weymouth Copy Share Image
It's just such a pleasure to bring a talent you respect to the world. — Tina Weymouth Copy Share Image
I don't want to wreck my voice. I love to concentrate on playing the bass and keeping it very rock-solid. If I were singing,… — Tina Weymouth Copy Share Image
I think the idea of having the show divided into two parts was that Tom Tom Club opened for Talking Heads in Europe, and… — Tina Weymouth Copy Share Image
I like the idea of Wild Infancy, of people who have a deprived background, of starting out wild. — Tina Weymouth Copy Share Image
It's hard to be perfect, It really is. I keep learning things after I've already bungled it. — Tina Weymouth Copy Share Image
Richard Lloyd of Television is one of my favorite guitarists. His mentor was Jimi Hendrix when he was just 14. Jimi was always pounding… — Tina Weymouth Copy Share Image
We don't really have more than acouple of solos. It's just the way our music is put together. — Tina Weymouth Copy Share Image
