Talking Heads, for me and Chris, was a very personal thing that we shared with a lot of people. In a way,… — Tina Weymouth Copy Share Image
We're not getting paid. We have these great musicians with us and it gives us a real charge. And the audience gives… — Tina Weymouth Copy Share Image
We always thought the Tom Tom Club could change to anything, but it acquired this image, which was cartoon animation and this real light-hearted… — Tina Weymouth Copy Share Image
In Europe they understand that the arts are incredibly important both culturally and economically. — Tina Weymouth Copy Share Image
Being able to allow people to be who they are without trying to change them is important. — Tina Weymouth Copy Share Image
I would really love to work with Paul McCartney. Isn't that arrogant? — Tina Weymouth Copy Share Image
It's just such a pleasure to bring a talent you respect to the world. — Tina Weymouth Copy Share Image
I don't want to wreck my voice. I love to concentrate on playing the bass and keeping it very rock-solid. If I were singing,… — Tina Weymouth Copy Share Image
I think the idea of having the show divided into two parts was that Tom Tom Club opened for Talking Heads in Europe, and… — Tina Weymouth Copy Share Image
I like the idea of Wild Infancy, of people who have a deprived background, of starting out wild. — Tina Weymouth Copy Share Image
It's hard to be perfect, It really is. I keep learning things after I've already bungled it. — Tina Weymouth Copy Share Image
Richard Lloyd of Television is one of my favorite guitarists. His mentor was Jimi Hendrix when he was just 14. Jimi was always pounding… — Tina Weymouth Copy Share Image
We don't really have more than acouple of solos. It's just the way our music is put together. — Tina Weymouth Copy Share Image
