We [ with Emilio Estevez] asked if we could take some things [ in Breakfast Club] that weren't in the shooting draft,… — Judd Nelson Copy Share Image
It's strange, 'cause a play, you start at the beginning and you go all the way through to the end. So it's… — Judd Nelson Copy Share Image
[John] Hughes was well aware that to ignore the seriousness of young people is to encourage things like Columbine, so you might… — Judd Nelson Copy Share Image
I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was… — Judd Nelson Copy Share Image
I got offered to do Ben 10. Sue Blu was the [voice] director of that, and I had worked with her -… — Judd Nelson Copy Share Image
My Brat Pack buddies and I didn't exactly handle celebrity very well. Success at an early age is far more difficult to… — Judd Nelson Copy Share Image
Catcher in the Rye had a profound impact on me-the idea that we all have lots of dreams that are slowly being chipped away… — Judd Nelson Copy Share Image
[John Hurt] just really gifted, and I had a great time working with him and [am] very lucky to have worked with him. — Judd Nelson Copy Share Image
I enjoyed [playing lawyer in From The Hip] as an ode to my dad. My dad went to Harvard and Harvard Law School, so… — Judd Nelson Copy Share Image
You have to be so confident and so gifted to fill five minutes of nothing at the very beginning of a play before even… — Judd Nelson Copy Share Image
I don't know if it matters what country you're from, size of the city you're from, urban or rural, there are people that are… — Judd Nelson Copy Share Image
[John] Hughes was open to that [rehearsal]. This can only happen if the director and/or the writer are open to that. — Judd Nelson Copy Share Image
You have to kind of roll with the punches. That's why I think work begets work to a certain degree. I just try and… — Judd Nelson Copy Share Image
I don't know if one's more typecasting than the other, or what I am more like. But I know that the high school I… — Judd Nelson Copy Share Image
It's like they talk about how American actors have the method and English actors just kind of switch views faster. And John [Hurt] is… — Judd Nelson Copy Share Image
[In The Dark Backward ] someone who has writer's block and kills people in A Cabin By The Lake. I guess he's a type… — Judd Nelson Copy Share Image