We carve on our body what society teaches us and continue this task, not knowing the identity they force us to have. This identity is carved on our faces and our skins. Not knowing our bodies have become "the paper… — Kim Hyesoon Copy Share Image
Mother is a synonym for abandonment and death. Comparing this synonym to water, it is like poured-out water. I call it mother, the identity… — Kim Hyesoon Copy Share Image
Alienation between the content and form happens frequently in my poems because I obstinately carry on dismantling my body, an act you can also… — Kim Hyesoon Copy Share Image
Once, I compared poetry to mothers in my book called To Write as a Woman, because my mother is someone who captures me in… — Kim Hyesoon Copy Share Image
Korean feminism is on the brink of death. Korea has a less clear boundary between popular literature and serious literature than in other countries.… — Kim Hyesoon Copy Share Image
We have certain rules for traditional lyric poetry in Korea. I twist my body, confused by what to say and how to act, facing… — Kim Hyesoon Copy Share Image
Men think women should do trivial things on the margins. They think women should be merely a seasoning for a dish. I feel anger… — Kim Hyesoon Copy Share Image
In Korea, a woman must first obey her father, then her husband when she becomes an ajuma, and finally obey her son as a… — Kim Hyesoon Copy Share Image
Women are foils to men in South Korea. It is hard for women to take a lead role even in NGOs for political resistance.… — Kim Hyesoon Copy Share Image
When I became a poet, the Korean literary world expected women poets to sing passively of love. Naturally, this was not written anywhere, but… — Kim Hyesoon Copy Share Image
South Korea is one of the worst countries when it comes to opportunity for women in social activities and employment. To my disgust, in… — Kim Hyesoon Copy Share Image
The grotesque in my poems is the motion I use to put myself and the grotesque world together. So the miserable images I use… — Kim Hyesoon Copy Share Image
