It seems Korean women are enjoying a passive and fragile status, intoxicated by appearance. Not only feminism, but any serious discourse ends… — Kim Hyesoon Copy Share Image
Women in Korean myths disappear after giving birth. The reason they were born is to produce sons. — Kim Hyesoon Copy Share Image
Living in South Korea as a girl meant living under a lot of discrimination and limitation. It was the same in my… — Kim Hyesoon Copy Share Image
Speaking as an outsider is the most authentic voice for a poet. Poets who have one hundred thousand or one million readers… — Kim Hyesoon Copy Share Image
As a university student, I tried hard to write poems in Korean. It was at that time that I foresaw my death… — Kim Hyesoon Copy Share Image
Living in Korea as a girl meant living under a lot of discrimination and limitation. It was the same in my university… — Kim Hyesoon Copy Share Image
Korean feminism has been swept away by popular culture. It became a sort of old-fashioned trend or a joke. — Kim Hyesoon Copy Share Image
When I became a poet, the Korean literary world expected women poets to sing passively of love. Naturally, this was not written… — Kim Hyesoon Copy Share Image
Korean feminism is on the brink of death. Korea has a less clear boundary between popular literature and serious literature than in… — Kim Hyesoon Copy Share Image
It is difficult to disturb the common usage of Korean that is bent to the perspective of a male-oriented society. Korean society… — Kim Hyesoon Copy Share Image
As a sick kid, I always looked out the window. The objects of my observation were the sun, the seasons, the wind,… — Kim Hyesoon Copy Share Image
Mother is a synonym for abandonment and death. Comparing this synonym to water, it is like poured-out water. I call it mother, the identity… — Kim Hyesoon Copy Share Image
Alienation between the content and form happens frequently in my poems because I obstinately carry on dismantling my body, an act you can also… — Kim Hyesoon Copy Share Image
Once, I compared poetry to mothers in my book called To Write as a Woman, because my mother is someone who captures me in… — Kim Hyesoon Copy Share Image
Korean feminism is on the brink of death. Korea has a less clear boundary between popular literature and serious literature than in other countries.… — Kim Hyesoon Copy Share Image
We have certain rules for traditional lyric poetry in Korea. I twist my body, confused by what to say and how to act, facing… — Kim Hyesoon Copy Share Image
Men think women should do trivial things on the margins. They think women should be merely a seasoning for a dish. I feel anger… — Kim Hyesoon Copy Share Image
In Korea, a woman must first obey her father, then her husband when she becomes an ajuma, and finally obey her son as a… — Kim Hyesoon Copy Share Image
Women are foils to men in South Korea. It is hard for women to take a lead role even in NGOs for political resistance.… — Kim Hyesoon Copy Share Image
When I became a poet, the Korean literary world expected women poets to sing passively of love. Naturally, this was not written anywhere, but… — Kim Hyesoon Copy Share Image
South Korea is one of the worst countries when it comes to opportunity for women in social activities and employment. To my disgust, in… — Kim Hyesoon Copy Share Image
The grotesque in my poems is the motion I use to put myself and the grotesque world together. So the miserable images I use… — Kim Hyesoon Copy Share Image
![“Speaking as an outsider is the most authentic voice for a poet. Poets who have one hundred thousand or one million readers [as many South Korean poets do] might not be a real, authentic poet.” quote by Kim Hyesoon](https://sms4smile.com/quotes/img-quotes/2be/kim-hyesoon-13225_hundred_speaking-as-an-outsider-is-the-most-auth_1638646.jpg)
