Alienation between the content and form happens frequently in my poems because I obstinately carry on dismantling my body, an act you… — Kim Hyesoon Copy Share Image
Once, I compared poetry to mothers in my book called To Write as a Woman, because my mother is someone who captures… — Kim Hyesoon Copy Share Image
We have certain rules for traditional lyric poetry in Korea. I twist my body, confused by what to say and how to… — Kim Hyesoon Copy Share Image
You cannot call a poem female just because it is written by a woman. Nevertheless, I think attempts to find femininity in… — Kim Hyesoon Copy Share Image
Poems are a dance of language that comes out when my body taps into the rhythm of language. Rhythm gets us naked… — Kim Hyesoon Copy Share Image
Our mothers who have gone are buried in our bodies. It can be said that we were born with dead mothers in… — Kim Hyesoon Copy Share Image
As a sick kid, I always looked out the window. The objects of my observation were the sun, the seasons, the wind,… — Kim Hyesoon Copy Share Image
I came to grotesque language in the patriarchal culture under the dictatorship. The body that was broken into pieces is a sick… — Kim Hyesoon Copy Share Image
We carve on our body what society teaches us and continue this task, not knowing the identity they force us to have.… — Kim Hyesoon Copy Share Image
The rhythm of my body is the same as my mother tongue. It is in this rhythm where I find sanctity, that… — Kim Hyesoon Copy Share Image
As a sick kid, I always looked out the window. The objects of my observation were the sun, the seasons, the wind,… — Kim Hyesoon Copy Share Image
My body is full of graves. A sepulcher is dug up, and a young girl comes out of it with her dusty… — Kim Hyesoon Copy Share Image
Mother is a synonym for abandonment and death. Comparing this synonym to water, it is like poured-out water. I call it mother, the identity… — Kim Hyesoon Copy Share Image
Alienation between the content and form happens frequently in my poems because I obstinately carry on dismantling my body, an act you can also… — Kim Hyesoon Copy Share Image
Once, I compared poetry to mothers in my book called To Write as a Woman, because my mother is someone who captures me in… — Kim Hyesoon Copy Share Image
Korean feminism is on the brink of death. Korea has a less clear boundary between popular literature and serious literature than in other countries.… — Kim Hyesoon Copy Share Image
We have certain rules for traditional lyric poetry in Korea. I twist my body, confused by what to say and how to act, facing… — Kim Hyesoon Copy Share Image
Men think women should do trivial things on the margins. They think women should be merely a seasoning for a dish. I feel anger… — Kim Hyesoon Copy Share Image
In Korea, a woman must first obey her father, then her husband when she becomes an ajuma, and finally obey her son as a… — Kim Hyesoon Copy Share Image
Women are foils to men in South Korea. It is hard for women to take a lead role even in NGOs for political resistance.… — Kim Hyesoon Copy Share Image
When I became a poet, the Korean literary world expected women poets to sing passively of love. Naturally, this was not written anywhere, but… — Kim Hyesoon Copy Share Image
South Korea is one of the worst countries when it comes to opportunity for women in social activities and employment. To my disgust, in… — Kim Hyesoon Copy Share Image
The grotesque in my poems is the motion I use to put myself and the grotesque world together. So the miserable images I use… — Kim Hyesoon Copy Share Image
