I want what we all want," said Carl. "To move certain parts of the interior of myself into the exterior world, to see if they can be embraced. — Jonathan Lethem Copy Share Image
It was often this way, life consisted of a series of false beginnings, bluff declarations of arrival to destinations not even glimpsed. — Jonathan Lethem Copy Share Image
I've been an advocate against the view of the writer as a partitioned genius hanging in conceptual space, or up on a mountain, a… — Jonathan Lethem Copy Share Image
“I suppose there was never a reason for tearing down a cabin or scrapping a stopped automobile, if you had all those acres.” — Jonathan Lethem Copy Share Image
My heart, to put it more simply, got nostalgic for the present. Always a bad sign. — Jonathan Lethem Copy Share Image
It's impossible to overstate how my relationship to music forms a preserve for the esoteric or even spiritual aspect of my relationship to cultural… — Jonathan Lethem Copy Share Image
“If. If Mingus Rude could be kept in this place, kept somehow in Dylan's pocket, in his stinging, smudgy hands, then summer wouldn't give… — Jonathan Lethem Copy Share Image
I had always wanted to be a writer who confused genre boundaries and who was read in multiple contexts. — Jonathan Lethem Copy Share Image
“Mingus Rude, Arthur Lomb, Gabriel Stern and Tim Vandertooth, even Aaron K. Doily: Dylan never met anyone who wasn't about to change immediately into… — Jonathan Lethem Copy Share Image
I try to write every day. I don't beat myself up about word counts, or how many hours are ticking by on the clock… — Jonathan Lethem Copy Share Image
“Enough of this. Does every conversation with you have to be the director's cut? Get out of the car.” — Jonathan Lethem Copy Share Image
“The stumbling block will turn out to be the traditional one for students of consciousness: the flashlight is incapable of shining on itself, so… — Jonathan Lethem Copy Share Image
“May one plead, Your Honor, postmodernism as an involuntary condition?” — Jonathan Lethem Copy Share Image
