A photograph is a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the… — John Berger Copy Share Image
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a… — John Berger Copy Share Image
All photographs are there to remind us of what we forget. In this - as in other ways - they are the… — John Berger Copy Share Image
Photography, because it stops the flow of life, is always flirting with death. — John Berger Copy Share Image
What makes photography a strange invention is that its primary raw materials are light and time. — John Berger Copy Share Image
If the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger. — John Berger Copy Share Image
Photographs bear witness to a human choice being exercised in a given situation. A photograph is a result of the photographer's decision… — John Berger Copy Share Image
The true content of a photograph is invisible, for it derives from a play, not with form, but with time. — John Berger Copy Share Image
The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other… — John Berger Copy Share Image
If everything that existed were continually being photographed, every photograph would become meaningless. — John Berger Copy Share Image
When we read a story, we inhabit it. The covers of the book are like a roof and four walls. — John Berger Copy Share Image
The impulse to paint comes neither from observation nor from the soul (which is probably blind) but from an encounter: the encounter between painter… — John Berger Copy Share Image
Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects. Everything became exchangeable because everything… — John Berger Copy Share Image
Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which… — John Berger Copy Share Image
We live in a dominant culture of ceaseless Departure and Progress that has so far lasted two or three centuries. — John Berger Copy Share Image
My heart born naked was swaddled in lullabies. Later alone it wore poems for clothes. Like a shirt I carried on my back the… — John Berger Copy Share Image
There's the artist's intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn]. Picasso drawings are like that... the… — John Berger Copy Share Image
Traditional Chinese art looked at the Earth from a Confucian mountain top; Japanese art looked closely around screens; Italian Renaissance art surveyed conquered nature… — John Berger Copy Share Image
Never again shall a single story be told as though it were the only one. — John Berger Copy Share Image
In drawing after drawing, pastel after pastel, painting after painting, the contours of Degas's dancing figures become, at a certain point, darkly insistent, tangled… — John Berger Copy Share Image
We never look at just one thing; we are always looking at the relation between things and ourselves. — John Berger Copy Share Image
We can become anything. That is why injustice is impossible here. There may be the accident of birth, there is no accident of death.… — John Berger Copy Share Image
