A huge part of what we do as actors is learning to ignore the camera, as if it's not even there, while simultaneously being very aware of the camera and what it's capturing, because you can give the best performance… — Geoffrey Rush Copy Share Image
With 'Call Me by Your Name,' they locked off the camera and let scenes play out in long, wide shots to make them feel almost voyeuristic. — Geoffrey Rush Copy Share Image
What I appreciated was the fact that the script delved into how Australians were - and still are - condescended to by the English. — Geoffrey Rush Copy Share Image
It's nice going to work and not having to always get on a plane to do it. — Geoffrey Rush Copy Share Image
This is what happens when you are on the wrong side of 40. Young adults, who could be your children, are now working with… — Geoffrey Rush Copy Share Image
Being in my more senior years now, you hope somewhere along the track that you're going to get to collide with a role that… — Geoffrey Rush Copy Share Image
I'm so envious of certain actors that have that natural facility to hear a cadence and the rhythm of an accent, that it goes… — Geoffrey Rush Copy Share Image
I enjoy roles that involve a task outside of my natural capabilities - for example, playing a number of musical instruments or sword fighting… — Geoffrey Rush Copy Share Image
People are intrigued and fascinated, almost obsessed with the private lives of great public personalities. — Geoffrey Rush Copy Share Image
I live in Australia, and I am Australian, and because I grew up in an era where we didn't have a film industry, and… — Geoffrey Rush Copy Share Image
For certain, you have to be lost to find a place that can’t be found. — Geoffrey Rush Copy Share Image
A huge part of what we do as actors is learning to ignore the camera, as if it's not even there, while simultaneously being… — Geoffrey Rush Copy Share Image
Like any classic you hope to get rid of all the varnish that's built up over the centuries where people expect it to be… — Geoffrey Rush Copy Share Image
