When a photographer chooses a subject, he or she is making a claim on the interest and attention of future viewers, a prediction about what will be thought to have been important. — Frank Gohlke Copy Share Image
Photography, too, reduces the world to strips and rectangles; photographers scrutinize the surfaces of reality in hope of unlocking the potential for significance that is latent within them. — Frank Gohlke Copy Share Image
The documentary style is an incredibly flexible and useful one. It's a wonderful tool for establishing the credibility of the version of things that's in the photograph - a kind of rhetorical device or rhetorical strategy. It's always felt very natural to me, because I want a person to end up thinking about the world, and to think about it… — Frank Gohlke Copy Share
I see the experience of pictures as a kind of cycle, a kind of circular motion in which you're in the world, then you… — Frank Gohlke Copy Share Image
“Perhaps if we were consciously able to use our bodies as fluently and expressively as we use language, we would find the physical reaction… — Frank Gohlke Copy Share Image
When a photographer chooses a subject, he or she is making a claim on the interest and attention of future viewers, a prediction about… — Frank Gohlke Copy Share Image
Whatever the aspect, I've tried to provide clear witness to what I've found, to resonate well enough with the harmonics of the place that… — Frank Gohlke Copy Share Image
Photography, too, reduces the world to strips and rectangles; photographers scrutinize the surfaces of reality in hope of unlocking the potential for significance that… — Frank Gohlke Copy Share Image
“I think that it is daily life which is the great event, the true “reality”.… My greatest ambition is to do something new and… — Frank Gohlke Copy Share Image
