You do understand that you can't force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The… — Barry Levinson Copy Share Image
It's those moments, those odd moments that you look for and sometimes by creating this kind of loose atmosphere you find those little moments… — Barry Levinson Copy Share Image
Now, a lot of people didn't know him at all - it went through feeder funds, so they wouldn't even have known anything about… — Barry Levinson Copy Share Image
You don't always have to have the ending, but you want to have a satisfactory conclusion. — Barry Levinson Copy Share Image
I'm interested in the relationships of people. I'm interested in the darker moments within us. All those aspects of human behavior, I'm fascinated by.… — Barry Levinson Copy Share Image
I've had a lot of movies that didn't get great numbers on test screening, but a lot of times the film was able to… — Barry Levinson Copy Share Image
You have a movie and it proves itself and then certain things happen. — Barry Levinson Copy Share Image
I think certain movies work and that is part of the magic of it all. We can't truly define why something succeeds. — Barry Levinson Copy Share Image
Creative differences are legendary in this movie business, so we're really not exploring the creative-difference aspect as opposed to the money aspect, or the… — Barry Levinson Copy Share Image
Apparently nobody really read it, it was a cheap movie, it fit their schedule in terms of things so fine, let the guy make… — Barry Levinson Copy Share Image
I play around with human things, human relationships and that, and allow that kind of talk to work in that way, on that level. — Barry Levinson Copy Share Image
You have to do a version of somebody that's the essence of Paterno. I think that's what Al is so great at. You have… — Barry Levinson Copy Share Image
