Thematically, most of my work deals with transition, our culture's constant acceleration, and emotional connection and disconnection through technology. — Marco Brambilla Copy Share Image
I never intended to become a commercial filmmaker in the first place. What I do requires time and experimentation. Commercial work is… — Marco Brambilla Copy Share Image
Most of my work has no conventional narrative, so it's not essential to have a beginning and an end - your attention… — Marco Brambilla Copy Share Image
Just doing a project because its an opportunity wont create meaning. As an artist, I need something to communicate. — Marco Brambilla Copy Share Image
I'm a huge cinemaphile. My interest in filmmaking came out of experimenting with different genres, and I wanted to go back to working in… — Marco Brambilla Copy Share Image
Being able to make work - if it's on your terms, and it's a good fit with the people who are supporting it -… — Marco Brambilla Copy Share Image
Thematically, most of my work deals with transition, our culture's constant acceleration, and emotional connection and disconnection through technology. — Marco Brambilla Copy Share Image
I love the idea of bringing my work to the general public, not just people who go to gallery openings. — Marco Brambilla Copy Share Image
Just doing a project because it's an opportunity won't create meaning. As an artist, I need something to communicate. — Marco Brambilla Copy Share Image
I've always been interested with the idea of technology and the way technology affects our ability to communicate - our ability to have a… — Marco Brambilla Copy Share Image
Usually, the energy in elevators is so awkward; I mean, I cant imagine the politics in the ones in the Conde Nast building. — Marco Brambilla Copy Share Image
The art world has become the R&D department for so much fashion and music, so knock-offs are getting better and better. — Marco Brambilla Copy Share Image
I'm very obsessed with the energy of New York and the idea of the way people behave in the city versus the way they… — Marco Brambilla Copy Share Image
Usually, the energy in elevators is so awkward; I mean, I can't imagine the politics in the ones in the Conde Nast building. — Marco Brambilla Copy Share Image
I think in America there's this free flow between fashion, art, architecture, music and design. In Europe, it's more segregated between those different disciplines,… — Marco Brambilla Copy Share Image
