“The Lethean Library, for all its incalculable volumes, is, I know, sadly incomplete without Mr. Goodman's effort.” — Vladimir Nabokov Copy Share Image
“My husband claims I have an unhealthy obsession with secondhand bookshops. That I spend too much time daydreaming altogether. But either you… — Kathleen Tessaro Copy Share Image
In elaborating how "philosophy by showing" works, and in defending the idea that literature and music can contribute to philosophical "showing", I… — Philip Kitcher Copy Share Image
“The ruinous deeds of the ravaging foe (Beowulf) The best-known long text in Old English is the epic poem Beowulf. Beowulf himself… — Ronald Carter Copy Share Image
“The 1980s witnessed radical advances in the theorisation of the study of literature in the universities. It had begun in France in… — Geoffrey Harvey Copy Share Image
“I often have the feeling that even at the best of times literary criticism is fraudulent, since in the absence of any… — George Orwell Copy Share Image
“The critic will certainly be an interpreter, but he will not treat Art as a riddling Sphinx, whose shallow secret may be… — Oscar Wilde Copy Share Image
“Thus, on the one hand, Spenser's thought is steeped in sensuous detail, so that for him there is no really abstract thinking;… — Janet Spens Copy Share Image
“Woolf drew on her memories of her holidays in Cornwall for To the Lighthouse, which was conceived in part as an elegy… — Jane Goldman Copy Share Image
“Life, of course, never gets anyone's entire attention. Death always remains interesting, pulls us, draws us. As sleep is necessary to our… — Janet Malcolm Copy Share Image
“As Solomon himself had remarked, 'We can be sure of talent, we can only pray for genius.' But it was a reasonable… — Arthur C. Clarke Copy Share Image
“What cannot be borne in reality, becomes a source of pleasure when it is transposed into the visual and somatic fiction of… — Claude Calame Copy Share Image
“The fairy or fantastic world replaces the classical Hades (or Hell) in Sir Orfeo, and Sir Gawain and the Green Knight takes… — Ronald Carter Copy Share Image
“If the relation of morality to art were based simply on the demand that art be concerned with values, then almost every… — William H. Gass Copy Share Image
“The double consequence of artifice--to project sentience out onto the made world and in turn to make sentience itself into a complex… — Anonymous Copy Share Image
“The 1980s: feminism, postmodernism, sexual/textual politics While it might be tempting to generalise that Woolf ’s writing was being discussed almost in… — Jane Goldman Copy Share Image
“The sin of Book I is at first sight more obscure, but it is particularly significant. We have seen that there appear… — Janet Spens Copy Share Image
Lulled into somnolence by five hundred years of print, literary studies have been slow to wake up to the importance of MSA… — N. Katherine Hayles Copy Share Image
“One problem with the work of the New Critics was that their close readings, no matter how brilliant, could not deliver all… — Jewel Spears Brooker Copy Share Image
When appearance and reality coincide, philosophy and literary criticism find themselves with nothing to say. — Mason Cooley Copy Share Image
“He was more aware than is usually admitted of the Freudian implications in the novel, and the note of ambiguity could have… — John E. Stoll Copy Share Image
“The most interesting inconsistency in thought is connected with the Bower of Bliss. This passage--the twelfth canto of the second Book--is probably… — Janet Spens Copy Share Image
Certainly professionally, yes [I was interested more in history]. And literary criticism, the structure of poetry. But it is primarily as a… — Frank Moore Cross Copy Share Image
“While clearly an impregnable masterpiece, Don Quixote suffers from one fairly serious flaw—that of outright unreadability.” — Martin Amis Copy Share Image
“Woolf ’s control over the production of her own work is a significant factor in her genesis as a writer. The Hogarth… — Jane Goldman Copy Share Image