When we started on 'BoJack,' it was understood that the Netflix model was to give shows time to find an audience, and to build that audience, and I remember being told, 'We expect the biggest day 'BoJack' Season 1 is… — Raphael Bob-Waksberg Copy Share Image
I'm excited when any Netflix show comes out. I'm like, 'Yeah, Netflix! Doin' great! We're all on the same side.' — Raphael Bob-Waksberg Copy Share Image
I am doing what I can to expand the tent and bring up other people and make sure we are telling different kinds of… — Raphael Bob-Waksberg Copy Share Image
I think we're so often, as writers, afraid of writing something that is less than perfect, and that fear paralyzes us. I'm a big… — Raphael Bob-Waksberg Copy Share Image
One of the things that set us apart early on, as opposed to other animated shows, was the fact that 'Bojack' was continuous and… — Raphael Bob-Waksberg Copy Share Image
Part of being a writer is just getting it in your bones, getting the muscle memory down, just doing it. — Raphael Bob-Waksberg Copy Share Image
I thought it would be a fun change of pace to do a show about a really sad, depressed character. — Raphael Bob-Waksberg Copy Share Image
I want each season to feel new and special. I don't want it to feel, "Oh, more of this." That's something that's easy to… — Raphael Bob-Waksberg Copy Share Image
So many cartoons are about real fun, happy-go-lucky simpletons. — Raphael Bob-Waksberg Copy Share Image
Art is a dialogue. I'm throwing rocks across a chasm and hoping people catch them on the other side. — Raphael Bob-Waksberg Copy Share Image
I think it's good to leave people with the memory of that being a great character. And if we have a reason to bring… — Raphael Bob-Waksberg Copy Share Image
I've written six seasons of a TV show with great help from an incredible staff of writers and other collaborators, but I still feel… — Raphael Bob-Waksberg Copy Share Image
