Raphael Bob-Waksberg

I'm excited when any Netflix show comes out. I'm like, 'Yeah, Netflix! Doin' great! We're all on the same side.'

— Raphael Bob-Waksberg

I am doing what I can to expand the tent and bring up other people and make sure we are telling different…

— Raphael Bob-Waksberg

I think we're so often, as writers, afraid of writing something that is less than perfect, and that fear paralyzes us. I'm…

— Raphael Bob-Waksberg

One of the things that set us apart early on, as opposed to other animated shows, was the fact that 'Bojack' was…

— Raphael Bob-Waksberg

I am really excited by the form of short fiction.

— Raphael Bob-Waksberg

Part of being a writer is just getting it in your bones, getting the muscle memory down, just doing it.

— Raphael Bob-Waksberg

I thought it would be a fun change of pace to do a show about a really sad, depressed character.

— Raphael Bob-Waksberg

I want each season to feel new and special. I don't want it to feel, "Oh, more of this." That's something that's…

— Raphael Bob-Waksberg

So many cartoons are about real fun, happy-go-lucky simpletons.

— Raphael Bob-Waksberg

Art is a dialogue. I'm throwing rocks across a chasm and hoping people catch them on the other side.

— Raphael Bob-Waksberg

I think it's good to leave people with the memory of that being a great character. And if we have a reason…

— Raphael Bob-Waksberg

I've written six seasons of a TV show with great help from an incredible staff of writers and other collaborators, but I…

— Raphael Bob-Waksberg

'Lost in Translation' movie says something interesting about the alienation of being a stranger in a strange land, but also of being…

— Raphael Bob-Waksberg

The caustic style of 'Archer' was really on my mind when I was first doing 'BoJack' - perhaps too much!

— Raphael Bob-Waksberg

The Comeback' is so cringey and difficult, but watching it, what I was really struck with was the kindness and the generosity.

— Raphael Bob-Waksberg

I think you need to think of yourself as a flawed human being with aspirations for goodness and never start to think,…

— Raphael Bob-Waksberg

Any show that kind of relish the damage of its main character without really investigating what that damage does, where it's from…

— Raphael Bob-Waksberg

It was fun figuring out the science of the world as much as we wanted to figure out, and then playing fast…

— Raphael Bob-Waksberg

Humor was a big part of my childhood. My family was full of comedians. We'd sit around the dinner table and try…

— Raphael Bob-Waksberg

When we started on 'BoJack,' it was understood that the Netflix model was to give shows time to find an audience, and…

— Raphael Bob-Waksberg

We often ask, "Do we have enough humans?" Because it's always fun to come up with an animal in show, but it…

— Raphael Bob-Waksberg

I wanted BoJack to be more of a cautionary figure than someone that you aspire to be.

— Raphael Bob-Waksberg

Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this…

— Raphael Bob-Waksberg

The nature of being an artist in any field, but specifically in comedy, is that almost as soon as you finish something…

— Raphael Bob-Waksberg

When you surround yourself with white people, you continue to hire white people, and when you make an effort to hire people…

— Raphael Bob-Waksberg