While a painting, even one that meets photographic standards of resemblance, is never more than the stating of an interpretation, a photograph… — Susan Sontag Copy Share Image
A photograph is not only an image (as a painting is an image), an interpretation of the real; it is also a… — Susan Sontag Copy Share Image
“Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of… — Susan Sontag Copy Share Image
Interpretation, based on the highly dubious theory that a work of art is composed of items of content, violates art. It makes… — Susan Sontag Copy Share Image
Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of… — Susan Sontag Copy Share Image
Interpretation is the revenge of the intellect upon art. Even more. It is the revenge of the intellect upon the world. To… — Susan Sontag Copy Share Image
Although there is a sense in which the camera does indeed capture reality, not just interpret it, photographs are as much an… — Susan Sontag Copy Share Image
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity… — Susan Sontag Copy Share Image
While a painting, even one that meets photographic standards of resemblance, is never more than the stating of an interpretation, a photograph… — Susan Sontag Copy Share Image
“The best criticism, and it is uncommon, is of this sort that dissolves considerations of content into those of form.” — Susan Sontag Copy Share Image
In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation… — Susan Sontag Copy Share Image
the appetite for thinking must be regulated, as all sensible people know, for it may stifle one's life. — Susan Sontag Copy Share Image
Unfortunately, moral beauty in art - like physical beauty in a person - is extremely perishable. It is nowhere so durable as artistic or… — Susan Sontag Copy Share Image
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a… — Susan Sontag Copy Share Image
Anthropology has always struggled with an intense, fascinated repulsion towards its subject.... [The anthropologist] submits himself to the exotic to confirm his own inner… — Susan Sontag Copy Share Image
“Why not eliminate schooling between age 12-16? It’s biologically + psychologically too turbulent a time to be cooped up inside, made to sit all… — Susan Sontag Copy Share Image
To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never… — Susan Sontag Copy Share Image
One set of messages of the society we live in is: Consume. Grow. Do what you want. Amuse yourselves. The very working of this… — Susan Sontag Copy Share Image
Currently intellectuals in Western Europe and North America are extremely demoralized and shaken by the rise of a virulent conservative tendency (which some have… — Susan Sontag Copy Share Image
With the modern diseases (once TB, now cancer) the romantic idea that the disease expresses the character is invariably extended to assert that the… — Susan Sontag Copy Share Image
As objects of contemplation, images of the atrocious can answer to several different needs. To steel oneself against weakness. To make oneself more numb.… — Susan Sontag Copy Share Image
The creative phase of an idea coincides with the period during which it insists, cantankerously, on its boundaries, on what makes it different; but… — Susan Sontag Copy Share Image
