My sculpture can last for days or a few seconds - what is important to me is the experience of making. I… — Andy Goldsworthy Copy Share Image
Looking, touching, material, place and form are all inseparable from the resulting work. It is difficult to say where one stops and… — Andy Goldsworthy Copy Share Image
In contact with materials, I can see so much more with my hands than I can just with my eyes. I'm a… — Andy Goldsworthy Copy Share Image
I'm dealing with the most important things there are: life and nature. If this doesn't work, if this doesn't sustain me, I… — Andy Goldsworthy Copy Share Image
When I’m working with materials it’s not just the leaf or the stone, it’s the processes that are behind them that are… — Andy Goldsworthy Copy Share Image
The main reason I went to digital was because I got time-lapse, video, and still images all in one camera. Having a… — Andy Goldsworthy Copy Share Image
If I had to describe my work in one word, that word would be time. — Andy Goldsworthy Copy Share Image
Winter makes a bridge between one year and another and, in this case, one century and the next. — Andy Goldsworthy Copy Share Image
Understanding the materials I work with... gives me a deeper understanding of my place. And it's helped me make sense of the changes that… — Andy Goldsworthy Copy Share Image
I love the winter. Well, I love all the seasons, but the winter is possibly one of the most intense. — Andy Goldsworthy Copy Share Image
Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them. — Andy Goldsworthy Copy Share Image
Sometimes you need to stop doing something to really see it afresh. — Andy Goldsworthy Copy Share Image
I've laid down in dried up streambeds, leaving a shadow. And then, five minutes later, it's flash flooded, and where I once laid is… — Andy Goldsworthy Copy Share Image
When I do the permanent projects or the big projects, when a work is finished, that's the beginning of its life. — Andy Goldsworthy Copy Share Image
Nature, for me is raw and dangerous and difficult and beautiful and unnerving. — Andy Goldsworthy Copy Share Image
Ephemeral work made outside, for and about a day, lies at the core of my art and its making must be kept private. — Andy Goldsworthy Copy Share Image
I have to understand the nature of change. And I cannot just work with stone or the more permanent materials. I need to work… — Andy Goldsworthy Copy Share Image
