Generally in New York, people just walk over you with no problem about that. Other countries, people want to resuscitate you, like,… — Andy Goldsworthy Copy Share Image
My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature… — Andy Goldsworthy Copy Share Image
I want to get under the surface. When I work with a leaf, rock, stick, it is not just that material in… — Andy Goldsworthy Copy Share Image
Movement, change, light, growth and decay are the lifeblood of nature, the energies that I I try to tap through my work.… — Andy Goldsworthy Copy Share Image
The main reason I went to digital was because I got time-lapse, video, and still images all in one camera. Having a… — Andy Goldsworthy Copy Share Image
When it does get below freezing and there is - it's cold enough for ice to form, then that changes the whole… — Andy Goldsworthy Copy Share Image
If I had to describe my work in one word, that word would be time. — Andy Goldsworthy Copy Share Image
Winter makes a bridge between one year and another and, in this case, one century and the next. — Andy Goldsworthy Copy Share Image
Understanding the materials I work with... gives me a deeper understanding of my place. And it's helped me make sense of the changes that… — Andy Goldsworthy Copy Share Image
I love the winter. Well, I love all the seasons, but the winter is possibly one of the most intense. — Andy Goldsworthy Copy Share Image
Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them. — Andy Goldsworthy Copy Share Image
Sometimes you need to stop doing something to really see it afresh. — Andy Goldsworthy Copy Share Image
I've laid down in dried up streambeds, leaving a shadow. And then, five minutes later, it's flash flooded, and where I once laid is… — Andy Goldsworthy Copy Share Image
When I do the permanent projects or the big projects, when a work is finished, that's the beginning of its life. — Andy Goldsworthy Copy Share Image
Nature, for me is raw and dangerous and difficult and beautiful and unnerving. — Andy Goldsworthy Copy Share Image
Ephemeral work made outside, for and about a day, lies at the core of my art and its making must be kept private. — Andy Goldsworthy Copy Share Image
I have to understand the nature of change. And I cannot just work with stone or the more permanent materials. I need to work… — Andy Goldsworthy Copy Share Image
