“I hope I have now made it clear why I thought it best, in speaking of the dissonances between fiction and reality in our own time, to concentrate on Sartre. His hesitations, retractations, inconsistencies, all proceed from his consciousness of… — Frank Kermode Copy Share Image
“The first phase of modernism, which so far as the English language goes we associate with Pound and Yeats, Wyndham Lewis and Eliot and… — Frank Kermode Copy Share Image
“It is already the fashion to diminish Eliot by calling him derivative, the mouthpiece of Pound, and so forth; and yet if one wanted… — Frank Kermode Copy Share Image
“I suppose it would be better if one were aggressive, contentious and so on. But there's rarely any occasion to be savage.” — Frank Kermode Copy Share Image
“When tragedy established itself in England it did so in terms of plots and spectacle that had much more to do with medieval apocalypse… — Frank Kermode Copy Share Image
“The novel, then, provides a reduction of the world different from that of the treatise. It has to lie. Words, thoughts, patterns of word… — Frank Kermode Copy Share Image
“The books which seal off the long perspectives, which sever us from our losses, which represent the world of potency as a world of… — Frank Kermode Copy Share Image
“The discords of our experience--delight in change, fear of change; the death of the individual and the survival of the species, the pains and… — Frank Kermode Copy Share Image
“It might be useful here to say a word about Beckett, as a link between the two stages, and as illustrating the shift towards… — Frank Kermode Copy Share Image
“The great majority of interpretations of Apocalypse assume that the End is pretty near. Consequently the historical allegory is always having to be revised;… — Frank Kermode Copy Share Image
“You sometimes hear people say, with a certain pride in their clerical resistance to the myth, that the nineteenth century really ended not in… — Frank Kermode Copy Share Image
