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Books Quote by Frank Kermode

“The first phase of modernism, which so far as the English language goes we associate with Pound and Yeats, Wyndham Lewis and Eliot and Joyce, was clerkly enough, sceptical in many ways; and yet we can without difficulty convict most of these authors of dangerous lapses into mythical thinking. All…” quote by Frank Kermode
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““The first phase of modernism, which so far as the English language goes we associate with Pound and Yeats, Wyndham Lewis and Eliot and Joyce, was clerkly enough, sceptical in many ways; and yet we can without difficulty convict most of these authors of dangerous lapses into mythical thinking. All were men of critical temper, haters of the decadence of the times and the myths of mauvaise foi. All, in different ways, venerated tradition and had programmes which were at once modern and anti-schismatic. This critical temper was admittedly made to seem consistent with a strong feeling for renovation; the mood was eschatological, but scepticism and a refined traditionalism held in check what threatened to be a bad case of literary primitivism. It was elsewhere that the myths ran riot.””

Frank Kermode

About This Quote

The passage critiques early modernist writers for balancing skeptical, critical attitudes with a tendency toward mythic, traditionalist impulses, warning against simplistic primitivism.

In simple terms: Modernist tension between critique and myth.

Key Takeaway

Critical skepticism can coexist with mythic tradition.

Themes

modernism skepticism tradition mythic thinking literary criticism

Mood

reflective analytical

Type

critical essay literary commentary

When to use this quote

  • academic literary analysis
  • curriculum design for modernist studies
  • publishing scholarly essays
  • curating literary exhibitions

Key Concepts

critical temper anti‑schismatic programmes renovation vs primitivism

Practical Applications

  • teaching modernist literature
  • guiding literary criticism

Questions to Reflect On

  • How does mythic imagination shape modernist critique?
  • In what ways can tradition be a catalyst for innovation?
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